Unveiling the Dark: Post Death Soundtrack's Veil Lifter

 

Post Death Soundtrack's latest opus, Veil Lifter, emerges as a tempestuous manifesto, a ten-track Molotov cocktail igniting doom, grunge, hardcore, and thrash into a volatile new record. Departing from the orchestrated industrial landscapes of their previous endeavor, It Will Come Out of Nowhere, Jon Ireson and Stephen Moore steer sharply towards an untamed, organic live sound. This fresh approach, coined 'doom grunge', pays homage to their early inspirations – the likes of Alice in Chains, Black Sabbath, Nirvana, and The Stooges – while embracing contemporary heavyweights such as Russian Circles, Windhand, Queens of the Stone Age, and YOB. Within Veil Lifter, sludgy riffs collide with hardcore fury, hypnotic grooves entwine with empyrean ambience, crafting a singularly evocative sonic journey that beckons listeners into a realm where darkness and intensity reign supreme.

Thematically, Veil Lifter stands as a provocative, incisive, and unapologetically uncensored exploration. It serves as a fervent invocation of spiritual armament, a meditation on the omnipresence of mental illness within the collective psyche, and a bold confrontation of terrifying realities. The album's title, derived from an Eastern philosophical concept of "lifting the veil of ignorance," signifies a journey beyond the myriad masks of external forms and ideas. Shamanic visions, shadowy dreamscapes, scorched Earth, and an unyielding pursuit of solace converge to guide the protagonist through realms of introspection and transformation.

Steve Moore, reflecting on the genesis of Veil Lifter, reveals its deeply personal origins. Born amidst isolation, depression, addiction, and chaos, the album emerges as a cathartic expression of resilience and perseverance. Drawing upon heavy metaphor and dream language, Moore crafts a visceral tapestry of emotion, weaving together influences from Advaita, the Gita, Zen philosophy, and the teachings of Krishnamurti. Veil Lifter stands as a raw testament to the human spirit's capacity to endure and transcend adversity.

Dedicated to the memory of Moore's father, Ted George Moore, Veil Lifter symbolizes both homage and evolution. Jon Ireson echoes this sentiment, noting the album's departure from electronic production in favor of a raw, guitar-driven sound. Assembling the album's framework in whirlwind bursts of creativity, the duo infuses each track with a potent blend of intensity and introspection. Collaborator Casey Lewis adds further depth and dynamism, amplifying the album's visceral impact.

Veil Lifter is slated for digital release on April 16th, with a limited edition vinyl run to follow. In anticipation, fans can immerse themselves in the album's haunting lead single, "Icy Underground," and the ferocious grunge metal anthem, "Lowdown Animal," available for streaming on Spotify. Pre-orders for the full album are also available on Bandcamp, offering enthusiasts an opportunity to delve into the lyrical depths of Veil Lifter.

As Post Death Soundtrack prepares to unveil their latest offering, Veil Lifter, audiences are invited to embark on a journey through darkness and transcendence, where the boundaries between the tangible and the ethereal dissolve, and the power of music becomes a conduit for transformation.

Veil Lifter will be released on digital platforms on April16th. A limited edition vinyl run is also expected at a slightly later date.

Watch the duo's terrifying new music video for "Burrowing Down the Spine".

Stream the album's lead single, the haunting, doom-heavy "Icy Underground" on Spotify.

Stream the vicious grunge metal anthem "Lowdown Animal" on Spotify.

Pre-order the full album on Bandcamp. 

Full lyrics are also available at Bandcamp.

Veil Lifter Credits:
Stephen Moore: Vocals, Guitars, Lyrics
Jon Ireson: Bass, Additional Guitars, Production
Casey Lewis: Drums
Engineered by Jon Ireson
Drums recorded by Casey Lewis
Mixed and mastered by Casey Lewis at Echo Base Studio
Album art by mrgn_studio

More Info:
RIYL: Alice in Chains, Nirvana, Opeth, Tool, Windhand, The Stooges, Russian Circles, Mastodon, Queens of the Stone Age

Online:
Bandcamp
Spotify
Facebook
Instagram
Apple Music
Youtube
Soundcloud
Official

 

Share:

Read More

Amazing interview with: Face Yourself

 

 We had the opportunity to talk to Face Yourself and discover details about the career of this promising band, find out more about them:

1. What led to the formation of Face Yourself in 2023, and how has the band's journey been since its inception?

Eric and Thomas teamed up to write music together after Eric lost his mother and Thomas took a break from music after leaving his last band. They took auditions for members months to find the write vocalists then yasmine blew everyone away. the band has been writing music constantly since. 

2. Face Yourself is often described as pushing the boundaries in deathcore. How do you approach creating music that combines intensity with introspective lyrics?

The members of Face Yourself are already die hard fans of deathcore well before starting the band. The band takes inspirations for lyrics from envisioning what the music video will look like based off the sound of the songs as they are written. Being that Eric and Yasmine are visual artists in the film/video industry coming up with themes and visuals comes very natural to them.

3. In what ways does Face Yourself draw inspiration from Myspace deathcore, and how do you infuse a modern taste into this classic sound?

All the members have different tastes and influences within the genre which is how they can combine old school and modern deathcore.

4. Your music videos are known for their intense visuals. How do you conceptualize and bring to life the visuals that accompany your powerful music?

Eric being the owner of square up studios has been working with bands in the genre for years which makes coming up with visuals for videos very natural 

5. Face Yourself delves into introspective and dark themes. Could you share some insights into the overarching concepts that often inspire your lyrics?

First 2 eps were mostly inspirations from music video ideas, tales of death which is the new ep was written during the period of Halloween which inspired the dark and more intense themes.

6. With 3 EPs and 9 music videos already released, how do you feel Face Yourself has evolved as musicians and songwriters throughout your growing discography?

The band has learned to work together as a group and have become friends through the journey which helped our bond and team work.

7. As you explore the complexities of human emotions, societal issues, and personal struggles in your songs, how do you hope your music resonates with listeners?

The band first writes things that speak to them, as the most important is to write music that you enjoy before sharing it to the world. If you trust in your art then people can appreciate it too.

8. How does Face Yourself maintain a balance between maintaining critical acclaim from fans and critics while staying true to your artistic vision?

The band is still young and learning, face yourself being only a year old we are still getting our bearings but the fans of our music truly make it all worth it. We put a lot of work in this year pumping out 3 EPs and 9 music videos. Our fans through their support push us to work hard.

9. Can you highlight a specific moment or accomplishment in your journey that stands out as a defining mark for Face Yourself in the deathcore realm?

Seing reaction channels reacting to our music is always pleasant, the band is happy to see the live reaction of fans who have genuinely been enjoying our work.

10. Looking ahead, what can fans anticipate from Face Yourself in terms of future releases, collaborations, or any innovative projects you might have in mind?

 The band is working on rehearsing for live shows, teamed recently with tko booking in the hope to tour in the coming months/years. The band enjoys working with friends and people can still expect features with square up artists.

https://www.youtube.com/@faceyourselfofficial 

https://www.instagram.com/fyourselfband

 

 

Share:

Read More

Do you know LCTR? Get to know more about them in this adorable interview.

 

1. How did LCTR come together as a band, and what inspired the members to focus on delivering a purist, heavy hardcore sound?
Tim (Guitars ): No one wanted to see our weird melodic metal band so back to basics we went. Travis is also in need of a drummer for his band that is better than us.
Travis (Vocals): To quote the band God’s Hate “Life is hard, Be Harder”. As Tim stated, my previous band went on hiatus, so they approached me about doing something on the side.

2. Can you tell us more about the origin of the band's name "LCTR" and its significance or meaning?
Tim:LCTR or lactator or locationer is a term derived in the northern dialect of Antarctica and the chosen language of the original habitants.
Travis: a lot of the history of Antarctica has been hidden, they dont want you to know about the original habitants. They even left pyramids behind.

3. Given the experienced backgrounds of the band members from various local bands, how has this collective experience influenced LCTR's musical approach and style?
Tim: I played my first show last month.
Travis: we just play what we think will make someone grab a chair and smash their friend over the head with it.

4. The debut EP, "Goodness Won't Save You From The Fire," has received positive reviews with an overall rating of 8 out of 10. How does the band feel about this response, and what are their thoughts on the EP's impact in the hardcore scene?

Tim: 6 points higher than anything else we've ever done. It is very much appreciated but doesn't help keep me in the dark place.
Travis: its awesome that people like it, but at the end of the day, music is what keeps me from killing myself, so ill keep playing whether people dig it or not.

5. What were the main influences behind the three original tracks on the debut EP? Are there any particular themes or messages the band wanted to convey through their music and lyrics?

Tim: The year 2009, and just trying to be as heavy as collective soul. Maybe one day.
Travis: i really thought we were trying to be as heavy as smash mouth at first. The only message is that life sucks and then you die.

6. Richmond, Virginia, has a notable hardcore scene. How has the local scene influenced LCTR's music and their journey as a band?
Tim: Everyone in Richmond would rather I just give up and sell insurance or something.
Travis: im pretty sure Tim would make a great State Farm agent. We’ve been received rather well with the two shows we’ve played.

7. With members coming from different local bands, how did LCTR manage to find a cohesive musical direction while maintaining their distinctive sound?
Tim: Got the idea to jam some older simpler tunes with our buddy who was having band difficulties. Fun ensued.
Travis: we prayed to the dark lord Cthulhu for guidance and under his blessed gaze, we found our inspiration.

8. "Goodness Won't Save You From The Fire" is described as having a raw character. Can the band elaborate on the creative process behind the EP and how they captured this raw essence in their music?
Tim: We pretty much just one take'd everything and was like yea good enough.
Travis: as Tim said, everyone was a fairly easy process. Too many bands now a days want to sound like robots. We are human beings playing these songs so sometimes those slight imperfections make something magical.

9. LCTR has already left a strong impression with their debut EP. What can fans expect from the band in the future, and are there any upcoming projects or releases in the works?
Travis: rest assured, we have more songs in the works. We will record a follow up EP in the near future and we can ensure you expect more of the same

Tim: Someone said something about selling insurance?

10. In the hardcore genre, connecting with fans and delivering powerful live performances is essential. How does LCTR approach their live shows, and what do they hope audiences take away from their performances?
Tim: I just close my eyes and go spin mode. Sometimes I try not to fall down.
Travis: we crave blood and violence and the flesh of the living.

Know more about them:

https://www.facebook.com/profile.php?id=100091667394174

Share:

Read More

Amazing Interview with Maxi Curnow, Check it!

Hi Maxi! Congratulations on the release of your new single, 'Beautiful Shell'! Can you tell us a bit about the inspiration behind the song?

It’s a lot to do with technology moving so fast, it can feel like whiplash sometimes. We are at this huge technological turning point in humanity, which I find both exciting and terrifying! This song is about that balance.

You've worked with notable artists and projects in your role as a mastering engineer, and as a product developer for Spitfire Audio. How do these experiences contribute to your own artistic growth and development?

My background in working intimately with audio from the likes of Hans Zimmer, Ólafur Arnalds and Charlie Clouser is very inspiring as it exposes the bounds of what’s possible, and the incredibly unique signature, flavour and character that an individual can bring to various sounds. That kind of influence on audio is so special, something to behold, and it’s certainly inspired the way I compose music.

As for Mastering and writing, working with Rabea Massaad, despite him being a long time friend and collaborator, never ceases to inspire new ways of thinking and producing music. He’s truly an ongoing influence as the various iterations of his music always speak to me - particularly from a musical standpoint where his ear and note choices are second to none!

Your music has been featured in a variety of TV and film productions. Is there a particular project or collaboration that stands out to you as a memorable experience?

Louis Theroux’s “Dark States”. That was so moving for me because I’ve absolutely loved his work for years, and those documentaries had been a huge inspiration for me growing up. Netflix’s “Cable Girls” and “Ouro Verde” also, because it was an incredible feeling to know that the music is heard internationally across a variety of genres and shows - When I started out years ago, that had always been the dream!

As a composer, producer, and filmmaker, you have a diverse range of skills. How do you balance these different creative outlets in your work?

A mixture of all three is an ideal combo, and the most fun means of storytelling in my opinion. I feel like they all inform one another - composing for TV has informed me as to how music can add to narrative. Production and sound design also enhances that massively, and visually we can say so much without exposition in dialogue - I love blending the three, although it is a tricky balance. I’ve made visuals to accompany music, I’ve made music to accompany visuals, and had them in equal parts. I think mastering a unique mixture is the goal for me going forward.

Your background as a firefighter and trauma care medic is quite unique. How have these experiences influenced your approach to storytelling through music and film?

I think it flipped my priorities for sure. After seeing incidents on that job, it felt more important to use music to achieve something. At the time I fused a short film about a car accident with a song of the same theme, which went to be used for national safety campaigns which felt fantastic, as it was like a safety video in disguise!

I dare say that what I experienced in that job added intensity to what I make now, and I want to use it to create solidarity for shared struggles, and to help in some way.

I'm curious about your upcoming album. Can you give us any hints about what we can expect in terms of themes or musical direction?

I’m excited to mix it up. I like genre mashing and have previously done a mix of blues, rock, singer/ songwriter to metal and prog! So I’m excited to see where I can take that, I’d love to write some more anthem style commercial songs - I love technical writing, but I feel that paradoxically, there’s far more challenge in writing a simple yet excellent song!

With 'Beautiful Shell,' you delve into the impact of technology on human evolution and well- being. What inspired you to explore this theme, specifically focusing on fears surrounding artificial intelligence?

I think it’s an exciting yet unsettling time to be alive right now. I’ve become more aware of a sense that social media is steering us, me, ever so subtly - and that’s concerning if we’re not aware of it! I think technology gives so much, but it also takes away. For me, I have a sense that it’s moving faster than we can keep up with and it felt important to put into a song. “Beautiful Shell” is online persona. The song is a remember that despite social media pressure; “It’s enough to be yourself”.

Your music is often described as blending vivid and pop-inspired hooks with progressive composition and modern technicality. How do you approach merging these different elements to create your unique sound?

My background in production music really informs how I write prog. I love complexity in music, however it always felt important to have a central theme or melody holding things together, especially if the music is very hectic! It's tough because frantic music leaves little room for a hooky top line, so I’ve made it a challenge to myself to experiment with both in the same song.

Can you share any insights into your creative process when it comes to writing and producing music? Do you have any particular rituals or techniques that help you get into the right mindset?

Composition is often determined by a good brief, and a good interpretation of that brief. I often love to find sounds first, that will usually inspire a melody, which inspires rhythm, and then you are off! Rock/Metal is sometimes more difficult if you only have guitars/drums/bass/vocals etc to play with - then it really relies on either a fantastic hook or instrumental technicality. When I start with guitar, the song usually ends up being very technical and proggy. If I start with a vocal hook, it’s more poppy/ commercial. If I ever get stuck, I try to write with an instrument I’m less familiar with, and that can be a great means of breaking out of a block! Recently, being less and less of a perfectionist is definitely helping me get more done.

Thank you so much for taking the time to answer these questions, Maxi! Is there anything else you'd like to share with your fans and listeners before we wrap up

I hope you enjoy the new song, and I’m excited to share more with you soon! 

https://www.instagram.com/maxicurnow/

https://www.imdb.com/name/nm14998423/

https://open.spotify.com/track/04QezanvV5q2rJIA6Myc0e?si=68434f0590dc4e28

Share:

Read More

Introducing the Debut EP of Brazilian Musician Kevin Vieira

We're thrilled to announce the release of the highly anticipated debut EP by the exceptionally talented Brazilian artist, Kevin Vieira. Available now on all major digital platforms and in physical format, this EP is set to captivate listeners worldwide.

Featuring three captivating songs, this instrumental EP showcases Kevin's remarkable talent on the guitar. With a blend of modern tones and a raw 80s ambiance, it evokes a delightful mix of nostalgia and contemporary flair. Kevin's expert production skills shine through, leaving listeners craving for more.

If you haven't had the pleasure of experiencing Kevin's musical prowess, now is the perfect time. We strongly recommend giving this EP a listen. Prepare to be instantly enamored with Kevin Vieira's work, as his melodies have the power to captivate hearts within minutes. Don't miss out on discovering the immense talent of Kevin Vieira – click the links below to embark on a musical journey like no other!

https://sptfy.com/KevinVieira

https://www.instagram.com/elk0m0d0/

https://kevinvieira.bandcamp.com

Share:

Read More

The new Brazilian sensation, All Is Allowed, bets on the combination of modern and classic in its debut album!

Credits: Fabiano Negri (@fabianonegrisolo)

The Brazilian Modern Rockers based in São Paulo, All Is Allowed, the band that opened the successful Brazilian tour of the american's stone rockers Red Fang in May, have recently released their first album entitled "#341" on physical CD. This album consists of the combination of their two previously released official EPs - "Into The Storm" (2021) and "Just Keep Walking" (2022) - plus an unreleased and exclusive track only for the CD version called "The Watcher". "The Watcher" tells us about the owner of everything. The one who is not there in the universe, an opponent at his height, a silent being that we can see in the passage of time. The famous 'silent click of time', which one day will come for everyone. And, for this reason, we must wake up to the 'now'...", commented Frank Santos (vocals). Listen to "Into The Storm" at https://sptfy.com/allisallowed_intothestorm Listen to "Just Keep Walking" at https://sptfy.com/allisallowed_justkeepwalking Check out the strangeness of the hit "As Cold As Hell" (with a great music video), the beautiful melody in the middle of the organized chaos in "A Ghost Of Myself", or the fury, with airs of Pantera and Black Label Society, in the incredible "Sheets And Cigarettes" to prove all the power of the group. Music Video - "As Cold As Hell" - https://youtu.be/3vGA98GZ458 Directly from the city of Campinas, São Paulo, All Is Allowed masterfully shows a comprehensive sound that mixes in a modern way, all the influences based on the classic years of Rock, with their own personality that any fan of heavy music will really enjoy. In "#341", in addition to the care in the production, there is a current sound approach that easily navigates through various strands of heavy metal, hard rock, grunge and southern rock, always promoting a meeting between the old and the new. The rhythmic variations and their intricate arrangements were created in a natural and organic way so that the great hooks generated by the sticky melodies of Frank Santos (ex-Henceforth) were their flagship. And it's not only the sound mass that All Is Allowed cares about, because their lyrics are other strong points for being wrapped in a connected universe, expressing concern with the evolution of the human being. All Is Allowed is currently formed by Frank Santos (vocals), Guto Aielo (drums, ex-Orckout) and Felippe Benassi (guitar), but is looking for a bass player in parallel to the pre-production phase of their new material, which will be taken charge by renowned Brazilian musician, producer and multi-instrumentalist Fabiano Negri.

Track listing: Rock Bottom Before You Give Up The Watcher As Cold As Hell The Present Moment A Ghost Of Myself Sheets And Cigarettes Those Ones We Need To Kill Everyday To purchase the CD, contact the band by email or through their social media. For fans of: Black Sabbath, Soundgarden, Alice In Chains, Stone Temple Pilots, Creed, Alter Bridge, Pantera, Black Label Society

All Is Allowed online:

Spotify: https://sptfy.com/allisallowed
Facebook: https://www.facebook.com/allisallowedofficial
Instagram: https://www.instagram.com/all.is.allowed
Youtube: https://youtube.com/@allisallowed9389
Email: official.all.is.allowed@gmail.com

Press Agency/Source: JZ Press (@jzpressassessoria)

Share:

Read More

Death's-Head And The Space Allusion is set to release their second album - First single The Son of Shahar out now!

Promo picture by Kari Kerosalo (Instagram: @lonkerosal)   Finnish Death's-Head and the Space Allusion is set to release their second album later in 2023. The first single 'The Son of Shahar' from the upcoming album is now released and the lyric video is available here: https://youtu.be/Qsxnbe0rM1o         Guitarist Antza Talala comments: "The Son of Shahar is a heavy and mid-tempo song that felt appropriate to release as the first bite. Lyric-wise it's quite simple. The way of the world today is frankly quite hilarious, and despite all the promises the second coming of Jesus isn't showing any signs of happening, you might as well call for The Son of Dawn and probe his brain for ideas.   Truthfully, there might be an idea from human behavioural models behind the lyrics, but we let everyone reach their own conclusions."   LISTEN to The Son of Shahar single on streaming services:  https://push.fm/fl/dhatsa-shahar    BIOGRAPHY: DEATH'S-HEAD AND THE SPACE ALLUSION, a band founded in 2016 in Oulu, Finland, is a combination of melodies, metal and clean vocals. The band released their debut album 'The Counterbalance ' in 2019 and now they are ready to release their second album! A few singles from the album will be released before people can listen to the full album.   This originally named band has an interesting way of infusing their music with melodies, metal and the raging spirit of rock with its guitar solos, and all this with a progressive touch.   Familiar atmospheres and vibes from the 80's can be heard in their music as well, which come from a large quantity of keyboards in their songs.   The band has members from several known bands including To/Die/For, Burning Point, Antipope and Downstone.   DEATH'S-HEAD AND THE SPACE ALLUSION is a great, new kind of a modern sounding band where bold influences from the 80's can be heard. This excellent metal palette is brilliantly brought forward with 'The Counterbalance' debut album. The upcoming second album will continue on the same path!

Line-up: Valtteri Virolainen - vocals Antza Talala - guitars Aleksi Mäkelä - guitars Juho Rikberg - bass Jussi Ontero - drums LINKS: https://www.facebook.com/dhatsaband  https://www.instagram.com/dhatsabandofficial

Share:

Read More

Powerfull Chilean Groove/Thrash Metal unity Sobernot reveals brand-new music video!

Credits: Maira Troncoso (@casimaria)

Once again Chilean Groove/Thrashers Sobernot surprise us by releasing the powerful and imposing ballad "Across The Toxic Dew" as the fifth music video/single from their highly praised second album "Destroy". This video portraits an intense story featuring an evil lady and her helpless prey, along with the band playing the song in an amazing location, all under the lens of prominent Chilean filmmaker Erwin Scheel.

Stream "Across The Toxic Dew" at https://sptfy.com/sobernot_across_the_toxic_dew

Watch "Across The Toxic Dew" at https://youtu.be/mZGO0BkhoFM

Guitarist Pablo La'Ronde adds: "This is the song where we wanted to expand our limits and make a heartbreaking ballad in our own style. Without a question it's the song that we enjoyed recording in the studio the most. There are 12-string guitars, piano, percussion, and many hidden details for you, so listen carefully!" "Across The Toxic Dew" adds to previous music videos releases "Servants Of The Yellow King", "Smoke Masters", "No Mercy" and "Tyrant Machine", and of course his most recent and praised album "Destroy", led them to be featured in the January 2023 issue of the legendary European magazine Metal Hammer Germany, and also to get their first nomination as 'Best Metal Artist' in the prestigious Chilean music aggregation, the Pulsar Awards. Currently, after the release of their second album "Destroy", the band continues investing heavily in the internationalization of their career, since they have enough quality to conquer the world! Sobernot is formed by César "Vaigor" Vigouroux (vocals), Pablo "Chespi" La'Ronde (guitar), Joaquín "Yakls" Quezada (bass) and Piero "Pyro" Ramírez (drums). Follow, Like and Listen to SOBERTNOT at: https://linktr.ee/sobernotband For fans of: Annihilator, Anthrax, Pantera, Testament, Metallica, Megadeth, Iced Earth MORE ABOUT SOBERNOT: Sobernot is an independent Groove/Thrash metal band from Chile. Formed in 2015, they have forged their powerful live performance with more than 100 shows, achieving an increasingly growing number of followers. Through the last years, the band has shared the stage with renowned international icons such as Exodus, Hirax, At War, Havok, Crisix, Suffocation and Incantation. "Destroy" was recorded at Estudios Gabelo and Prestafuego Studio (Chile), with the co-production of Franco Gabelo and Pablo La'Ronde, mastered at Fascination Street Studios (Sweden), by the hand of Tony Lindgren (Opeth, Kreator, Sepultura, Leprous, and more). Listen to "Destroy" on your favorite platform at https://songwhip.com/sobernot/destroy Listen to SOBERNOT at: Bandcamp: https://sobernot.bandcamp.com Apple Music: https://apple.co/3RcFGKE Spotify: https://spoti.fi/3ABqrou Social Media/Contact: Facebook: www.facebook.com/sobernot Instagram: www.instagram.com/sobernotband Youtube: www.youtube.com/SobernotBand Twitter: twitter.com/sobernot_band E-mail: contact@sobernot.net Source/Press Agency: JZ Press (@jzpressassessoria)

Credits: Maira Troncoso (@casimaria)

Share:

Read More