Amazing interview with NASH, a metalcore project.

 

   

Check out this incredible interview and learn more about NASH:

What initially inspired you to create NASH and delve into the cyberpunk universe?

Since I was very young, I have been passionate about technology and music. I always had "the dream" of being able to compose absolutely everything I wanted on computers with virtual instruments. But at the time, being able to compose via computer required a lot of time, very powerful and expensive machines and there was no possibility of having guitar VSTs or the emulations were really bad, I'm talking to you about that about 20 years ago.

I have evolved through different musical styles throughout my life as a musician. I have long wanted to combine the meeting of metal with the "raw" side of synthesizers to immerse the listener in this cyberpunk universe. Typically, "Doom" is in my opinion an example that could illustrate this process.

How do you see NASH contributing to the evolution of metalcore and its fusion with technology?

I have a small partnership with SUNO. AI which is an A.I that generates music. I only use it to generate voice that I incorporate around my composition, in this sense, I participate in the evolution of tomorrow's music. I think that the Japanese were the precursors with holographic virtual artists like in visual kei and tomorrow, with the expansion of AI like SUNO, we will see the emergence of them as if they were beings made of flesh and of blood !

I don't know if I'll one day take off in the metalcore scene but in any case I try to bring something different and original.

Can you elaborate on how you integrate synthetic elements from underground scenes into your music, and what influences these elements draw from?

The most complicated thing is actually adding synthesizer elements, you have to feel "the vibe" that emerges from the song to add the synths which will blend perfectly with the song. It takes a lot of time and I feel a bit like a chemist in a laboratory, I combine several elements until I find the right one. The dark electro scene/aggrotech demonstrates through its artists that there is no shortage of ideas, they inspire me a lot.

Also, I always immerse myself in a cyberpunk universe, fan of the Directors : Denis Villeneuve and Ridley Scott, I easily immerse myself in this world of images to project my creations, my search for inspiration. I would even add image AI also becomes a resource to exploit, you may have noticed but all my single covers in my project were generated by an AI.

What challenges have you faced in blending virtual instruments with the human voice, and how have you overcome them?

It's not in terms of VSTIs that I encountered challenges, it's more in the mixing of drum and guitar. On the one hand because I'm a total neophyte in this area, I tried as hard as I could to make it sound like a big sound. On the other hand, having an emulated guitar requires having a complete "signal chain" for it to sound: amp, eq etc.... And there it's the same, basic keyboard player I don't know anything about it at all so just like the search for synth sounds, I tried for months to make both sounds correctly. I'm really proud of the result, of course for purists it's far from perfect, but I tell myself that for a solo guy who doesn't know anything about it: the result is honest.

For the voice, it took me more than 4 years to find a singer who held up. I mean, finding singers isn't the hardest thing. It's finding serious people on a human level that caused me the most concern: you can't imagine how hard is… you can find singers who tell you "I love your music, I want to do a feat on it !” and then... you compose something for them, ask some news and suddenly becomes an embarrassing radio silence. I'm going to sound a little harsh, but I find that singers today are really starlets who want everything without making the slightest effort upstream, or on longevity.

But I believe that complacency and laziness is a more general problem in our societies. During these 4 years, I wasted a lot of time with one in particular who brought me more trouble than added value to my compositions, this guy is the perfect stereotype of personal sufficiency, a sort of "golem dreamers" as we say in French. But allowed me to open my eyes to what I really wanted and what I no longer wanted.

This is also why I launched my solo project, I had a few groups before but often complacency, immaturity, hypocrisy take precedence over the desire to really share a group of musicians. I think that for many musicians who find themselves faced with this type of problem, artificial intelligence will solve this...

Which specific aspects of renowned bands like Bad Omens, Bring Me the Horizon, Erra, Make Them Suffer, and I See Stars have influenced NASH's sound the most?

Creativity. What makes a band famous? In my opinion: originality, creation and a voice that stands out from the ordinary. Singing is one thing, performing is another.

For me, these groups are creators who think outside the box to offer listeners a world of sound far from a standard group of which there are plenty.

Could you shed some light on the process of generating lyrics using a personalized language model and how these lyrics contribute to the thematic depth of NASH's music?

You can find a bunch of royalty-free AI models on “huggingface”. I'm not going to tell you which one I have, it's my little secret but in any case we're going through an incredible period within reach: you can nab an AI that generates text like another that generates sound or even tell you if you have cancer!

Not being a good lyricist at all, having an AI capable of producing lyrics was a small challenge and a way to extend my project on a technical level.

My current singer also does a lot of production work. I mean, he doesn't change any lines at all, he adapts them to his melodies/rhythms.

In what ways do the themes of humanity and technology interact within NASH's music, and what messages do you hope listeners take away from these explorations?

I try to project all the current and future problems of our societies in my compositions. I don't forbid myself any themes! But one of the “biggest” ones is the future of machines. People today do not realize how much everything will change in the coming years. They think it will happen in 20 years or 30 years... but the change is happening now. Machines, whether AI or automatons, are progressing at lightning speeds and little by little, they are replacing humans.

Laurent ALEXANDRE talks about it very well in these books and he tries to awaken the consciences of people but also of politicians. Look, a few days ago NEURALINK announced that it had chipped a human and did you see it? He can play, move a certain number of elements on his PC.

So if tomorrow we do not train the new generations, if we do not carry out transformations in the training and ability of people to adapt to AI, we will have a "mass" stupidized by advertising and consumerism incapable of mastering the AI tool. We could talk about it for a long time but the Cyberpunk universe that you can find in Blade Runner or Ghost in the Shell is, in my opinion, what awaits us tomorrow more than a world that would like to balance in the name of pseudo fairness.

What kind of experience do you aim to create for your audience during live performances, considering the immersive nature of NASH's music?

So that... I have lots of ideas, but I need money, ha ha! I have in mind to do live shows but before I can think about the show, I will already try to find Humans in symbiosis (:

Can you describe the significance of the blurred boundaries between the real and the virtual in NASH's musical universe, and how this concept influences your creative process?

As I told you, I don't believe this world is utopian. It's just an anticipation of the world of tomorrow. And all these issues nourish my creativity. My job is computer engineering and access to the digital world is partly a source of influence: it remains atoms which activate according to the binary orders that we send and yet it produces sound waves which, when combined, become music.

The synths are incredibly powerful in my ears, all these sounds transport me, create a soundscape, this is how the ideas start to come!

Looking ahead, what future developments or collaborations do you envision for NASH, both musically and conceptually, as you continue to explore the intersection of music and technology?

I remain open to all suggestions. I've been doing a bit of promotion recently, and I have a small label that wants a lineup, so I'll start with that. For the rest, as indicated on my insta: if singers are interested in doing a collab, I am definitely willing!

I will also continue my project with SUNO and I will see. I don't worry, I do things according to my desires and the opportunities that open up to me. I love music, I love writing and that’s all that matters. My deepest desire with NASH is to share this with people who are sensitive to this style. Afterward, whether it doesn't work or not in the end, I don't care as long as I enjoy doing this in my studio.

If you discover my project, if you liked it: spread the word and share my linktree: https://nash.ws

Thank you for this interview: "The World is built in a wall that separates kind. Tell either side there's no wall, you've bought a war"

Is this so far from what we are experiencing?

Nash

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Amazing interview with: Face Yourself

 

 We had the opportunity to talk to Face Yourself and discover details about the career of this promising band, find out more about them:

1. What led to the formation of Face Yourself in 2023, and how has the band's journey been since its inception?

Eric and Thomas teamed up to write music together after Eric lost his mother and Thomas took a break from music after leaving his last band. They took auditions for members months to find the write vocalists then yasmine blew everyone away. the band has been writing music constantly since. 

2. Face Yourself is often described as pushing the boundaries in deathcore. How do you approach creating music that combines intensity with introspective lyrics?

The members of Face Yourself are already die hard fans of deathcore well before starting the band. The band takes inspirations for lyrics from envisioning what the music video will look like based off the sound of the songs as they are written. Being that Eric and Yasmine are visual artists in the film/video industry coming up with themes and visuals comes very natural to them.

3. In what ways does Face Yourself draw inspiration from Myspace deathcore, and how do you infuse a modern taste into this classic sound?

All the members have different tastes and influences within the genre which is how they can combine old school and modern deathcore.

4. Your music videos are known for their intense visuals. How do you conceptualize and bring to life the visuals that accompany your powerful music?

Eric being the owner of square up studios has been working with bands in the genre for years which makes coming up with visuals for videos very natural 

5. Face Yourself delves into introspective and dark themes. Could you share some insights into the overarching concepts that often inspire your lyrics?

First 2 eps were mostly inspirations from music video ideas, tales of death which is the new ep was written during the period of Halloween which inspired the dark and more intense themes.

6. With 3 EPs and 9 music videos already released, how do you feel Face Yourself has evolved as musicians and songwriters throughout your growing discography?

The band has learned to work together as a group and have become friends through the journey which helped our bond and team work.

7. As you explore the complexities of human emotions, societal issues, and personal struggles in your songs, how do you hope your music resonates with listeners?

The band first writes things that speak to them, as the most important is to write music that you enjoy before sharing it to the world. If you trust in your art then people can appreciate it too.

8. How does Face Yourself maintain a balance between maintaining critical acclaim from fans and critics while staying true to your artistic vision?

The band is still young and learning, face yourself being only a year old we are still getting our bearings but the fans of our music truly make it all worth it. We put a lot of work in this year pumping out 3 EPs and 9 music videos. Our fans through their support push us to work hard.

9. Can you highlight a specific moment or accomplishment in your journey that stands out as a defining mark for Face Yourself in the deathcore realm?

Seing reaction channels reacting to our music is always pleasant, the band is happy to see the live reaction of fans who have genuinely been enjoying our work.

10. Looking ahead, what can fans anticipate from Face Yourself in terms of future releases, collaborations, or any innovative projects you might have in mind?

 The band is working on rehearsing for live shows, teamed recently with tko booking in the hope to tour in the coming months/years. The band enjoys working with friends and people can still expect features with square up artists.

https://www.youtube.com/@faceyourselfofficial 

https://www.instagram.com/fyourselfband

 

 

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From Local Talent to Global Success: Unraveling the Phenomenal Journey of Obsidian Cult Records in the Music Industry - Exclusive Interview!

 

1. How did Obsidian Cult Records come into existence, and

what inspired you to start this independent A&R Label?

Obsidian Cult Records was established to provide artists with the tools and resources

they need to be successful. After experiencing the cutthroat nature of the music

industry with my previous band, I wanted to create an anti-label that supports

musicians without upfront costs or taking away their rights. Our mission is to empower

talented artists, offer exclusive access to resources, and help them build sustainable

music careers.

2. Can you tell us more about the personalized artist

development programs that Obsidian Cult Records offers to

musicians?

Certainly! Obsidian Cult Records offers personalized artist development programs that

focus on understanding each musician's unique strengths and goals. We provide

guidance in songwriting, composition, vocal/instrumental coaching, production

assistance, and branding strategies. Access to industry professionals and support in

various areas of the music business is also included. Our aim is to empower artists to

build sustainable careers, explore multiple revenue streams, and maintain their artistic

integrity and vision.

3. How does Obsidian Cult Records strategically contract

with artists to help them expand their reach and grow their

careers?

At Obsidian Cult Records, our strategic contracting with artists is based on a

collaborative and artist-centric approach. We prioritize the artists' interests and

creative freedom while ensuring they have access to the resources they need to

expand their reach and grow their careers. Our contracts are designed to be fair and

transparent, ensuring that artists retain ownership of their music and creative rights.

We work closely with each artist to develop personalized strategies that align with

their goals, whether it's through targeted marketing campaigns, exposure to new

audiences, or exploring various revenue streams. By providing exclusive access to

industry professionals and valuable tools, we aim to foster their growth and success in

the music industry while maintaining a mutually beneficial partnership.

4. San Antonio, Texas, is known for its rich music culture.

How has the local music scene influenced Obsidian Cult

Records' approach and mission?

San Antonio's vibrant music culture has had a profound impact on Obsidian Cult

Records' approach and mission. Being situated in such a music-rich city, we have been

exposed to a diverse range of talented artists and musicians, each with their unique

stories and journeys. The local music scene has reinforced our belief in the power of

music and the importance of supporting artists in their pursuit of a successful career.

Witnessing the challenges and triumphs of local musicians has further fueled our

commitment to being the anti-label, providing a platform that empowers artists to

thrive without the typical barriers of the industry. Our experiences in San Antonio have

strengthened our resolve to nurture artists' growth, offer valuable resources, and

ensure that they have the support they need to turn their passion for music into a

sustainable living.

5. In what ways does Obsidian Cult Records foster a

collaborative and supportive community for artists? Can you

share some examples of how this has benefited musicians

on your label?

Obsidian Cult Records fosters a collaborative and supportive community for artists in

several ways. Firstly, we prioritize open communication and a strong partnership with

our signed artists. We actively involve them in decision-making processes and seek

their input on various aspects of their music careers. This collaborative approach

ensures that their artistic vision is honored and respected.

Secondly, we encourage artists on our label to connect with one another, share

experiences, and collaborate on projects. This sense of camaraderie among our artists

creates a supportive community where they can learn from each other and find

inspiration.

Furthermore, we organize events, workshops, and networking opportunities to bring

artists together with industry professionals. This not only enhances their skills but

also helps them build valuable connections within the music industry.

One example of how this collaborative and supportive community has benefited

musicians on our label is the formation of bands through artist connections within the

label. Some of our artists have come together to create new bands and explore

different musical genres, leading to exciting and innovative collaborations that might

not have happened without the supportive environment Obsidian Cult Records

provides.

Additionally, we've witnessed instances where more experienced artists have

mentored and guided emerging talents, helping them navigate the challenges of the

industry and refine their craft. This mentorship has proven invaluable in supporting the

growth and development of our artists.

Overall, by fostering a collaborative and supportive community, Obsidian Cult Records

creates an environment where artists can flourish, learn from one another, and

collectively work towards building successful and sustainable music careers.

6. As the owner of Obsidian Cult Records, what do you

consider the most significant achievements or milestones for

the label so far?

As the owner of Obsidian Cult Records, one of the most significant achievements for

the label has been the recent signing of Counterfeit Icons in San Antonio. We are

thrilled to have them as part of our roster and to be supporting their musical journey.

An important milestone in our collaboration with them has been fully automating their

merchandise sales, allowing them to start generating revenue from their music. This

achievement exemplifies our commitment to empowering artists to make a living from

their passion without the burdens of massive upfront costs or complicated industry

barriers. We see this as a step forward in our mission to provide artists with the tools

and resources they need to succeed in the music industry.

7. Turning passion for music into a thriving career is a

challenging process. How does Obsidian Cult Records guide

and support artists through this journey?

At Obsidian Cult Records, we guide and support artists in their journey of turning

their passion for music into a thriving career through a personalized and

comprehensive approach. We provide exclusive access to resources, including

industry professionals, production studios, marketing expertise, and other

essential tools to create high-quality music and effectively promote their work.

Our collaborative relationship with artists involves open communication, where

we value their creative vision and involve them in decision-making processes.

We work closely with our signed artists to develop tailored strategies that align

with their unique strengths and goals. From artist development, including

songwriting, composition, and branding, to exploring multiple revenue streams

like merchandise sales, live performances, and licensing opportunities, we

ensure they have the support and guidance they need to succeed. Moreover, we

encourage artists to connect with one another, fostering a supportive community

that encourages collaboration and inspires growth. Our ultimate mission is to

empower artists at every stage of their music career, providing the necessary

tools, resources, and a nurturing environment to help them build sustainable

long-lasting careers.

8. Building a global audience for bands requires effective

strategies. Could you elaborate on some of the key

approaches Obsidian Cult Records employs to help artists

reach an international fan base?

Certainly! Obsidian Cult Records employs effective strategies to help artists

reach a global audience. We focus on building a strong online presence through

digital marketing and social media, reaching new fans worldwide. International

distribution and licensing opportunities are pursued to ensure their music is

available on major platforms and featured in various media. We support artists in

planning international tours and live performances to connect directly with

diverse audiences. Cross-collaborations with other artists and localization of

content help us resonate with specific regions, and we establish partnerships

with labels and distributors globally. These approaches enable our artists to

expand their reach and cultivate a strong international fan base.

Follow Obsidian:
https://www.instagram.com/obsidiancultrecords/

https://www.youtube.com/@ObsidianCultRecords

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Do you know LCTR? Get to know more about them in this adorable interview.

 

1. How did LCTR come together as a band, and what inspired the members to focus on delivering a purist, heavy hardcore sound?
Tim (Guitars ): No one wanted to see our weird melodic metal band so back to basics we went. Travis is also in need of a drummer for his band that is better than us.
Travis (Vocals): To quote the band God’s Hate “Life is hard, Be Harder”. As Tim stated, my previous band went on hiatus, so they approached me about doing something on the side.

2. Can you tell us more about the origin of the band's name "LCTR" and its significance or meaning?
Tim:LCTR or lactator or locationer is a term derived in the northern dialect of Antarctica and the chosen language of the original habitants.
Travis: a lot of the history of Antarctica has been hidden, they dont want you to know about the original habitants. They even left pyramids behind.

3. Given the experienced backgrounds of the band members from various local bands, how has this collective experience influenced LCTR's musical approach and style?
Tim: I played my first show last month.
Travis: we just play what we think will make someone grab a chair and smash their friend over the head with it.

4. The debut EP, "Goodness Won't Save You From The Fire," has received positive reviews with an overall rating of 8 out of 10. How does the band feel about this response, and what are their thoughts on the EP's impact in the hardcore scene?

Tim: 6 points higher than anything else we've ever done. It is very much appreciated but doesn't help keep me in the dark place.
Travis: its awesome that people like it, but at the end of the day, music is what keeps me from killing myself, so ill keep playing whether people dig it or not.

5. What were the main influences behind the three original tracks on the debut EP? Are there any particular themes or messages the band wanted to convey through their music and lyrics?

Tim: The year 2009, and just trying to be as heavy as collective soul. Maybe one day.
Travis: i really thought we were trying to be as heavy as smash mouth at first. The only message is that life sucks and then you die.

6. Richmond, Virginia, has a notable hardcore scene. How has the local scene influenced LCTR's music and their journey as a band?
Tim: Everyone in Richmond would rather I just give up and sell insurance or something.
Travis: im pretty sure Tim would make a great State Farm agent. We’ve been received rather well with the two shows we’ve played.

7. With members coming from different local bands, how did LCTR manage to find a cohesive musical direction while maintaining their distinctive sound?
Tim: Got the idea to jam some older simpler tunes with our buddy who was having band difficulties. Fun ensued.
Travis: we prayed to the dark lord Cthulhu for guidance and under his blessed gaze, we found our inspiration.

8. "Goodness Won't Save You From The Fire" is described as having a raw character. Can the band elaborate on the creative process behind the EP and how they captured this raw essence in their music?
Tim: We pretty much just one take'd everything and was like yea good enough.
Travis: as Tim said, everyone was a fairly easy process. Too many bands now a days want to sound like robots. We are human beings playing these songs so sometimes those slight imperfections make something magical.

9. LCTR has already left a strong impression with their debut EP. What can fans expect from the band in the future, and are there any upcoming projects or releases in the works?
Travis: rest assured, we have more songs in the works. We will record a follow up EP in the near future and we can ensure you expect more of the same

Tim: Someone said something about selling insurance?

10. In the hardcore genre, connecting with fans and delivering powerful live performances is essential. How does LCTR approach their live shows, and what do they hope audiences take away from their performances?
Tim: I just close my eyes and go spin mode. Sometimes I try not to fall down.
Travis: we crave blood and violence and the flesh of the living.

Know more about them:

https://www.facebook.com/profile.php?id=100091667394174

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Amazing Interview with Maxi Curnow, Check it!

Hi Maxi! Congratulations on the release of your new single, 'Beautiful Shell'! Can you tell us a bit about the inspiration behind the song?

It’s a lot to do with technology moving so fast, it can feel like whiplash sometimes. We are at this huge technological turning point in humanity, which I find both exciting and terrifying! This song is about that balance.

You've worked with notable artists and projects in your role as a mastering engineer, and as a product developer for Spitfire Audio. How do these experiences contribute to your own artistic growth and development?

My background in working intimately with audio from the likes of Hans Zimmer, Ólafur Arnalds and Charlie Clouser is very inspiring as it exposes the bounds of what’s possible, and the incredibly unique signature, flavour and character that an individual can bring to various sounds. That kind of influence on audio is so special, something to behold, and it’s certainly inspired the way I compose music.

As for Mastering and writing, working with Rabea Massaad, despite him being a long time friend and collaborator, never ceases to inspire new ways of thinking and producing music. He’s truly an ongoing influence as the various iterations of his music always speak to me - particularly from a musical standpoint where his ear and note choices are second to none!

Your music has been featured in a variety of TV and film productions. Is there a particular project or collaboration that stands out to you as a memorable experience?

Louis Theroux’s “Dark States”. That was so moving for me because I’ve absolutely loved his work for years, and those documentaries had been a huge inspiration for me growing up. Netflix’s “Cable Girls” and “Ouro Verde” also, because it was an incredible feeling to know that the music is heard internationally across a variety of genres and shows - When I started out years ago, that had always been the dream!

As a composer, producer, and filmmaker, you have a diverse range of skills. How do you balance these different creative outlets in your work?

A mixture of all three is an ideal combo, and the most fun means of storytelling in my opinion. I feel like they all inform one another - composing for TV has informed me as to how music can add to narrative. Production and sound design also enhances that massively, and visually we can say so much without exposition in dialogue - I love blending the three, although it is a tricky balance. I’ve made visuals to accompany music, I’ve made music to accompany visuals, and had them in equal parts. I think mastering a unique mixture is the goal for me going forward.

Your background as a firefighter and trauma care medic is quite unique. How have these experiences influenced your approach to storytelling through music and film?

I think it flipped my priorities for sure. After seeing incidents on that job, it felt more important to use music to achieve something. At the time I fused a short film about a car accident with a song of the same theme, which went to be used for national safety campaigns which felt fantastic, as it was like a safety video in disguise!

I dare say that what I experienced in that job added intensity to what I make now, and I want to use it to create solidarity for shared struggles, and to help in some way.

I'm curious about your upcoming album. Can you give us any hints about what we can expect in terms of themes or musical direction?

I’m excited to mix it up. I like genre mashing and have previously done a mix of blues, rock, singer/ songwriter to metal and prog! So I’m excited to see where I can take that, I’d love to write some more anthem style commercial songs - I love technical writing, but I feel that paradoxically, there’s far more challenge in writing a simple yet excellent song!

With 'Beautiful Shell,' you delve into the impact of technology on human evolution and well- being. What inspired you to explore this theme, specifically focusing on fears surrounding artificial intelligence?

I think it’s an exciting yet unsettling time to be alive right now. I’ve become more aware of a sense that social media is steering us, me, ever so subtly - and that’s concerning if we’re not aware of it! I think technology gives so much, but it also takes away. For me, I have a sense that it’s moving faster than we can keep up with and it felt important to put into a song. “Beautiful Shell” is online persona. The song is a remember that despite social media pressure; “It’s enough to be yourself”.

Your music is often described as blending vivid and pop-inspired hooks with progressive composition and modern technicality. How do you approach merging these different elements to create your unique sound?

My background in production music really informs how I write prog. I love complexity in music, however it always felt important to have a central theme or melody holding things together, especially if the music is very hectic! It's tough because frantic music leaves little room for a hooky top line, so I’ve made it a challenge to myself to experiment with both in the same song.

Can you share any insights into your creative process when it comes to writing and producing music? Do you have any particular rituals or techniques that help you get into the right mindset?

Composition is often determined by a good brief, and a good interpretation of that brief. I often love to find sounds first, that will usually inspire a melody, which inspires rhythm, and then you are off! Rock/Metal is sometimes more difficult if you only have guitars/drums/bass/vocals etc to play with - then it really relies on either a fantastic hook or instrumental technicality. When I start with guitar, the song usually ends up being very technical and proggy. If I start with a vocal hook, it’s more poppy/ commercial. If I ever get stuck, I try to write with an instrument I’m less familiar with, and that can be a great means of breaking out of a block! Recently, being less and less of a perfectionist is definitely helping me get more done.

Thank you so much for taking the time to answer these questions, Maxi! Is there anything else you'd like to share with your fans and listeners before we wrap up

I hope you enjoy the new song, and I’m excited to share more with you soon! 

https://www.instagram.com/maxicurnow/

https://www.imdb.com/name/nm14998423/

https://open.spotify.com/track/04QezanvV5q2rJIA6Myc0e?si=68434f0590dc4e28

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The new Brazilian sensation, All Is Allowed, bets on the combination of modern and classic in its debut album!

Credits: Fabiano Negri (@fabianonegrisolo)

The Brazilian Modern Rockers based in São Paulo, All Is Allowed, the band that opened the successful Brazilian tour of the american's stone rockers Red Fang in May, have recently released their first album entitled "#341" on physical CD. This album consists of the combination of their two previously released official EPs - "Into The Storm" (2021) and "Just Keep Walking" (2022) - plus an unreleased and exclusive track only for the CD version called "The Watcher". "The Watcher" tells us about the owner of everything. The one who is not there in the universe, an opponent at his height, a silent being that we can see in the passage of time. The famous 'silent click of time', which one day will come for everyone. And, for this reason, we must wake up to the 'now'...", commented Frank Santos (vocals). Listen to "Into The Storm" at https://sptfy.com/allisallowed_intothestorm Listen to "Just Keep Walking" at https://sptfy.com/allisallowed_justkeepwalking Check out the strangeness of the hit "As Cold As Hell" (with a great music video), the beautiful melody in the middle of the organized chaos in "A Ghost Of Myself", or the fury, with airs of Pantera and Black Label Society, in the incredible "Sheets And Cigarettes" to prove all the power of the group. Music Video - "As Cold As Hell" - https://youtu.be/3vGA98GZ458 Directly from the city of Campinas, São Paulo, All Is Allowed masterfully shows a comprehensive sound that mixes in a modern way, all the influences based on the classic years of Rock, with their own personality that any fan of heavy music will really enjoy. In "#341", in addition to the care in the production, there is a current sound approach that easily navigates through various strands of heavy metal, hard rock, grunge and southern rock, always promoting a meeting between the old and the new. The rhythmic variations and their intricate arrangements were created in a natural and organic way so that the great hooks generated by the sticky melodies of Frank Santos (ex-Henceforth) were their flagship. And it's not only the sound mass that All Is Allowed cares about, because their lyrics are other strong points for being wrapped in a connected universe, expressing concern with the evolution of the human being. All Is Allowed is currently formed by Frank Santos (vocals), Guto Aielo (drums, ex-Orckout) and Felippe Benassi (guitar), but is looking for a bass player in parallel to the pre-production phase of their new material, which will be taken charge by renowned Brazilian musician, producer and multi-instrumentalist Fabiano Negri.

Track listing: Rock Bottom Before You Give Up The Watcher As Cold As Hell The Present Moment A Ghost Of Myself Sheets And Cigarettes Those Ones We Need To Kill Everyday To purchase the CD, contact the band by email or through their social media. For fans of: Black Sabbath, Soundgarden, Alice In Chains, Stone Temple Pilots, Creed, Alter Bridge, Pantera, Black Label Society

All Is Allowed online:

Spotify: https://sptfy.com/allisallowed
Facebook: https://www.facebook.com/allisallowedofficial
Instagram: https://www.instagram.com/all.is.allowed
Youtube: https://youtube.com/@allisallowed9389
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Unleashing Rådarna's Sonic Journey: An Extraordinary and Comprehensive Interview with Rikard Falk

 

Rikard Falk from Rådarna interview.

Q: Can you tell us about your journey as a Folk Metal band? How did you come together and decide to pursue this genre?

A: For me it was when I heard Finntroll years back, it really started in 2017 when there was a lot going on for me personally, I wrote the chorus to House of Banshee at that time and felt it sounded so good that I should pursue this, I actually didn’t have a clue what I was doing starting out so I teamed up with Jose and we wrote Beware of Red Cap together and it really removed all doubt in my mind that we should do this. Regarding why I wanted to pursue this genre I guess as the time we started out there felt like a slight folk metal drought from the big names so yeah I guess that we just felt there need to be more such music out there. 

Q: What is your songwriting process like? How do you capture the essence of your music?

A: For most of the songs I start off with the writing then send it to Jose to complete it, after he’s done I do finishing touches and write the lyrics. We’ve written many more songs together by this point and there will be songs each of us have written entirely by each of us individually in the future. We have a liking for eachothers writing style’s which makes writing the music far more exciting because you can’t judge your own writing it becomes easier to decide what works and what doesn’t. He has told me when something won’t work and I’ve told him what needs changing. 

Ultimately I think the music itself leads the way, sometimes it has a intention behind it like the song itself is intended with a particular legend in mind other times the song tend to speak of it’s own story. I live in the forest among the mountains so I use nature as inspiration, I want to feel a strong connection to the spirit of the land like some tunes come from long forest walks getting a new melody stuck in my head. 

Q: As a Folk Metal group spread across different countries, how do you manage to collaborate and create music without being physically together?

A: It is a bit difficult, we write sheets so there’s a song there before we go in. I’m the one that oversee’s the recording and there are sometimes changes made in the recording process but you must check and double check that the improvements don’t screw the entire song in which case you’d have to redo everything else. I’ve never done shit with everyone present but I imagine it’d be way easier to hear what the instruments sound like together on the spot rather then in post. 

Q: What challenges do you face as a band that doesn't perform live shows? How do you overcome them?

A: I feel the biggest challenge is no income and more struggle of getting discovered by potential fans and listeners. Like I think most bands make the most money through live shows and the often get discovered by opening for others. I wouldn’t say we’ve overcome that but I say overall I try to not think about that, I kinda think the only things we’ve focused on at the moment is making the music sound good, I really hate the whole social media scene as well. I just want to make some awesome songs and even if the approach leaves me obscure and poor I still want to make sure I’m proud of the songs we made.To me not having a contract or financial success doesn’t make you failed musician, I’d define a failed musician as a musician without a soul.

Q: Since you don't perform live, how do you engage with your fans and connect with the audience?

A: The short answer is we don’t. Ultimately we have a very small fanbase at this point in time it seems, but that doesn’t matter. Sure more fans would be nice but if even casual listeners get a good time that’s something you should take pride and joy in.

Q: Despite the financial challenges faced you mentioned your determination to continue. What drives your passion and keeps you going?

A: I think it’s cause I genuinely live and breathe the themes of the music we’re making, it feels at home to me to do this almost like a holy mission, there’s also someone who’s spirit I like to honor and preserve in the tunes, he died the same year I started out and was a huge trigger for it starting out in the first place. He’s also a guy best not mentioned as I’ve hinted at his musical influence before.

Q: Can you share some of the influences that have shaped your sound as a Folk Metal band?

A: This is a common question and it becomes boring if I always give the same answer cause whichever music you listen to is gonna influence you if you’re a musician, it’s clearly Finntroll, Korpiklaani and Alestorm and all other household names big and small. But I’ve also been influenced by folk music, even latin music like salsa, not to mention punk rock bands like the old school ones, let’s not forget jazz either, I really like Cab Calloway he’s a favorite of mine.

Q: In what ways do you hope to contribute to the Folk Metal genre? Are there specific elements or themes you aim to explore in your music?

A: One of the biggest criticisms I’ve gotten is that we sound too much like Finntroll but personally I feel that was intentional since Finntroll mix the humppa genre of folk music with black metal, I feel they not only have their own style with that but you shouldn’t ignore the fact that they also created a sort of new subgenre. I kinda need to clarify we’d like to be different in the same way Judas Priest are different from Iron Maiden while playing the same genre. 

What is so great about Folk Metal is that it uniquely doesn’t care about being weird or even seem more focused on being fun rather then just being brutal and cool. One of the things in particular I’d really want to add is a sense of variety in the theme’s being expressed in the genre, I feel Folk Metal has gotten too caught up in singing about generic things about trolls and 99% of them just do some weird generic idea rather then exploring the creatures people actually used to believe in. We try to pick unique and specific legends that haven’t been explored, my goal is to kinda do DIO type of lyrics occasionally mixed with wit and humour. Many band who do black metal or similiar genres don’t seem to care about the lyrics at all and I think that’s a mistake since singing the wrong word at the wrong part essentially feels like you’re playing the wrong note, each word still has a different sound and the lyrics need to flow. 

We’re also going to experiment more with influences from many different genre’s which we seem to be good at, the number of instruments we’re gonna experiment with up ahead are gonna blow your mind if we manage to make them all work together.

Q: What are the particular themes or stories that inspires your lyrics? How did you incorporate them into your songs?

A: The songs incorporate the lyrics not the other way around, there are many legends, folklore and mythology that I draw inspiration from. I also try to understand each of them and their history on a deeper level I also play with the silly image pop culture has given this neglected forgotten past of ours. For example the idea of making the Red Cap run a tourist resort actually came from the movie “troll 2” there’s even a reference in the song to the sign scene as the vocalist “should have read the sign”. Really the influences for our lyrics are too numerous and complicated to tell about in a single sentence. I will admit though sometimes I keep it more simple than I did on the EP. But the goal is to make it work on 3 separate layers like a real myth would. 

Q: Can you tell us anything about your upcoming projects that we might look forward to?

A: Oh, this is my favorite question because now that we’ve finished the first album and the EP it’s time to prove our true metal. You see the album we really wanted to make was the second one as it got all the best-written songs, we have one song in particular that took an entire year to write, for comparison our regular songs took about a month or so to write, if we manage to pull this album off we hope to make it a masterpiece. It’s really large too, the 9th song is but the midway point so it’s gonna take you on a never ending ride of excitement if you like our music you’re gonna love the second album.

Again having the money to record is the only challenge right now. The second album though, I have high hopes it’ll be our “Jakten’s Tid” and the one people mention when they mention us. I’ve no idea if we’ll even be able to top this once it’s complete.

Meet more about this band:
https://radarna.bandcamp.com/album/heavenly-demons

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Death's-Head And The Space Allusion is set to release their second album - First single The Son of Shahar out now!

Promo picture by Kari Kerosalo (Instagram: @lonkerosal)   Finnish Death's-Head and the Space Allusion is set to release their second album later in 2023. The first single 'The Son of Shahar' from the upcoming album is now released and the lyric video is available here: https://youtu.be/Qsxnbe0rM1o         Guitarist Antza Talala comments: "The Son of Shahar is a heavy and mid-tempo song that felt appropriate to release as the first bite. Lyric-wise it's quite simple. The way of the world today is frankly quite hilarious, and despite all the promises the second coming of Jesus isn't showing any signs of happening, you might as well call for The Son of Dawn and probe his brain for ideas.   Truthfully, there might be an idea from human behavioural models behind the lyrics, but we let everyone reach their own conclusions."   LISTEN to The Son of Shahar single on streaming services:  https://push.fm/fl/dhatsa-shahar    BIOGRAPHY: DEATH'S-HEAD AND THE SPACE ALLUSION, a band founded in 2016 in Oulu, Finland, is a combination of melodies, metal and clean vocals. The band released their debut album 'The Counterbalance ' in 2019 and now they are ready to release their second album! A few singles from the album will be released before people can listen to the full album.   This originally named band has an interesting way of infusing their music with melodies, metal and the raging spirit of rock with its guitar solos, and all this with a progressive touch.   Familiar atmospheres and vibes from the 80's can be heard in their music as well, which come from a large quantity of keyboards in their songs.   The band has members from several known bands including To/Die/For, Burning Point, Antipope and Downstone.   DEATH'S-HEAD AND THE SPACE ALLUSION is a great, new kind of a modern sounding band where bold influences from the 80's can be heard. This excellent metal palette is brilliantly brought forward with 'The Counterbalance' debut album. The upcoming second album will continue on the same path!

Line-up: Valtteri Virolainen - vocals Antza Talala - guitars Aleksi Mäkelä - guitars Juho Rikberg - bass Jussi Ontero - drums LINKS: https://www.facebook.com/dhatsaband  https://www.instagram.com/dhatsabandofficial

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