Unveiling the Dark: Post Death Soundtrack's Veil Lifter

 

Post Death Soundtrack's latest opus, Veil Lifter, emerges as a tempestuous manifesto, a ten-track Molotov cocktail igniting doom, grunge, hardcore, and thrash into a volatile new record. Departing from the orchestrated industrial landscapes of their previous endeavor, It Will Come Out of Nowhere, Jon Ireson and Stephen Moore steer sharply towards an untamed, organic live sound. This fresh approach, coined 'doom grunge', pays homage to their early inspirations – the likes of Alice in Chains, Black Sabbath, Nirvana, and The Stooges – while embracing contemporary heavyweights such as Russian Circles, Windhand, Queens of the Stone Age, and YOB. Within Veil Lifter, sludgy riffs collide with hardcore fury, hypnotic grooves entwine with empyrean ambience, crafting a singularly evocative sonic journey that beckons listeners into a realm where darkness and intensity reign supreme.

Thematically, Veil Lifter stands as a provocative, incisive, and unapologetically uncensored exploration. It serves as a fervent invocation of spiritual armament, a meditation on the omnipresence of mental illness within the collective psyche, and a bold confrontation of terrifying realities. The album's title, derived from an Eastern philosophical concept of "lifting the veil of ignorance," signifies a journey beyond the myriad masks of external forms and ideas. Shamanic visions, shadowy dreamscapes, scorched Earth, and an unyielding pursuit of solace converge to guide the protagonist through realms of introspection and transformation.

Steve Moore, reflecting on the genesis of Veil Lifter, reveals its deeply personal origins. Born amidst isolation, depression, addiction, and chaos, the album emerges as a cathartic expression of resilience and perseverance. Drawing upon heavy metaphor and dream language, Moore crafts a visceral tapestry of emotion, weaving together influences from Advaita, the Gita, Zen philosophy, and the teachings of Krishnamurti. Veil Lifter stands as a raw testament to the human spirit's capacity to endure and transcend adversity.

Dedicated to the memory of Moore's father, Ted George Moore, Veil Lifter symbolizes both homage and evolution. Jon Ireson echoes this sentiment, noting the album's departure from electronic production in favor of a raw, guitar-driven sound. Assembling the album's framework in whirlwind bursts of creativity, the duo infuses each track with a potent blend of intensity and introspection. Collaborator Casey Lewis adds further depth and dynamism, amplifying the album's visceral impact.

Veil Lifter is slated for digital release on April 16th, with a limited edition vinyl run to follow. In anticipation, fans can immerse themselves in the album's haunting lead single, "Icy Underground," and the ferocious grunge metal anthem, "Lowdown Animal," available for streaming on Spotify. Pre-orders for the full album are also available on Bandcamp, offering enthusiasts an opportunity to delve into the lyrical depths of Veil Lifter.

As Post Death Soundtrack prepares to unveil their latest offering, Veil Lifter, audiences are invited to embark on a journey through darkness and transcendence, where the boundaries between the tangible and the ethereal dissolve, and the power of music becomes a conduit for transformation.

Veil Lifter will be released on digital platforms on April16th. A limited edition vinyl run is also expected at a slightly later date.

Watch the duo's terrifying new music video for "Burrowing Down the Spine".

Stream the album's lead single, the haunting, doom-heavy "Icy Underground" on Spotify.

Stream the vicious grunge metal anthem "Lowdown Animal" on Spotify.

Pre-order the full album on Bandcamp. 

Full lyrics are also available at Bandcamp.

Veil Lifter Credits:
Stephen Moore: Vocals, Guitars, Lyrics
Jon Ireson: Bass, Additional Guitars, Production
Casey Lewis: Drums
Engineered by Jon Ireson
Drums recorded by Casey Lewis
Mixed and mastered by Casey Lewis at Echo Base Studio
Album art by mrgn_studio

More Info:
RIYL: Alice in Chains, Nirvana, Opeth, Tool, Windhand, The Stooges, Russian Circles, Mastodon, Queens of the Stone Age

Online:
Bandcamp
Spotify
Facebook
Instagram
Apple Music
Youtube
Soundcloud
Official

 

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From Local Talent to Global Success: Unraveling the Phenomenal Journey of Obsidian Cult Records in the Music Industry - Exclusive Interview!

 

1. How did Obsidian Cult Records come into existence, and

what inspired you to start this independent A&R Label?

Obsidian Cult Records was established to provide artists with the tools and resources

they need to be successful. After experiencing the cutthroat nature of the music

industry with my previous band, I wanted to create an anti-label that supports

musicians without upfront costs or taking away their rights. Our mission is to empower

talented artists, offer exclusive access to resources, and help them build sustainable

music careers.

2. Can you tell us more about the personalized artist

development programs that Obsidian Cult Records offers to

musicians?

Certainly! Obsidian Cult Records offers personalized artist development programs that

focus on understanding each musician's unique strengths and goals. We provide

guidance in songwriting, composition, vocal/instrumental coaching, production

assistance, and branding strategies. Access to industry professionals and support in

various areas of the music business is also included. Our aim is to empower artists to

build sustainable careers, explore multiple revenue streams, and maintain their artistic

integrity and vision.

3. How does Obsidian Cult Records strategically contract

with artists to help them expand their reach and grow their

careers?

At Obsidian Cult Records, our strategic contracting with artists is based on a

collaborative and artist-centric approach. We prioritize the artists' interests and

creative freedom while ensuring they have access to the resources they need to

expand their reach and grow their careers. Our contracts are designed to be fair and

transparent, ensuring that artists retain ownership of their music and creative rights.

We work closely with each artist to develop personalized strategies that align with

their goals, whether it's through targeted marketing campaigns, exposure to new

audiences, or exploring various revenue streams. By providing exclusive access to

industry professionals and valuable tools, we aim to foster their growth and success in

the music industry while maintaining a mutually beneficial partnership.

4. San Antonio, Texas, is known for its rich music culture.

How has the local music scene influenced Obsidian Cult

Records' approach and mission?

San Antonio's vibrant music culture has had a profound impact on Obsidian Cult

Records' approach and mission. Being situated in such a music-rich city, we have been

exposed to a diverse range of talented artists and musicians, each with their unique

stories and journeys. The local music scene has reinforced our belief in the power of

music and the importance of supporting artists in their pursuit of a successful career.

Witnessing the challenges and triumphs of local musicians has further fueled our

commitment to being the anti-label, providing a platform that empowers artists to

thrive without the typical barriers of the industry. Our experiences in San Antonio have

strengthened our resolve to nurture artists' growth, offer valuable resources, and

ensure that they have the support they need to turn their passion for music into a

sustainable living.

5. In what ways does Obsidian Cult Records foster a

collaborative and supportive community for artists? Can you

share some examples of how this has benefited musicians

on your label?

Obsidian Cult Records fosters a collaborative and supportive community for artists in

several ways. Firstly, we prioritize open communication and a strong partnership with

our signed artists. We actively involve them in decision-making processes and seek

their input on various aspects of their music careers. This collaborative approach

ensures that their artistic vision is honored and respected.

Secondly, we encourage artists on our label to connect with one another, share

experiences, and collaborate on projects. This sense of camaraderie among our artists

creates a supportive community where they can learn from each other and find

inspiration.

Furthermore, we organize events, workshops, and networking opportunities to bring

artists together with industry professionals. This not only enhances their skills but

also helps them build valuable connections within the music industry.

One example of how this collaborative and supportive community has benefited

musicians on our label is the formation of bands through artist connections within the

label. Some of our artists have come together to create new bands and explore

different musical genres, leading to exciting and innovative collaborations that might

not have happened without the supportive environment Obsidian Cult Records

provides.

Additionally, we've witnessed instances where more experienced artists have

mentored and guided emerging talents, helping them navigate the challenges of the

industry and refine their craft. This mentorship has proven invaluable in supporting the

growth and development of our artists.

Overall, by fostering a collaborative and supportive community, Obsidian Cult Records

creates an environment where artists can flourish, learn from one another, and

collectively work towards building successful and sustainable music careers.

6. As the owner of Obsidian Cult Records, what do you

consider the most significant achievements or milestones for

the label so far?

As the owner of Obsidian Cult Records, one of the most significant achievements for

the label has been the recent signing of Counterfeit Icons in San Antonio. We are

thrilled to have them as part of our roster and to be supporting their musical journey.

An important milestone in our collaboration with them has been fully automating their

merchandise sales, allowing them to start generating revenue from their music. This

achievement exemplifies our commitment to empowering artists to make a living from

their passion without the burdens of massive upfront costs or complicated industry

barriers. We see this as a step forward in our mission to provide artists with the tools

and resources they need to succeed in the music industry.

7. Turning passion for music into a thriving career is a

challenging process. How does Obsidian Cult Records guide

and support artists through this journey?

At Obsidian Cult Records, we guide and support artists in their journey of turning

their passion for music into a thriving career through a personalized and

comprehensive approach. We provide exclusive access to resources, including

industry professionals, production studios, marketing expertise, and other

essential tools to create high-quality music and effectively promote their work.

Our collaborative relationship with artists involves open communication, where

we value their creative vision and involve them in decision-making processes.

We work closely with our signed artists to develop tailored strategies that align

with their unique strengths and goals. From artist development, including

songwriting, composition, and branding, to exploring multiple revenue streams

like merchandise sales, live performances, and licensing opportunities, we

ensure they have the support and guidance they need to succeed. Moreover, we

encourage artists to connect with one another, fostering a supportive community

that encourages collaboration and inspires growth. Our ultimate mission is to

empower artists at every stage of their music career, providing the necessary

tools, resources, and a nurturing environment to help them build sustainable

long-lasting careers.

8. Building a global audience for bands requires effective

strategies. Could you elaborate on some of the key

approaches Obsidian Cult Records employs to help artists

reach an international fan base?

Certainly! Obsidian Cult Records employs effective strategies to help artists

reach a global audience. We focus on building a strong online presence through

digital marketing and social media, reaching new fans worldwide. International

distribution and licensing opportunities are pursued to ensure their music is

available on major platforms and featured in various media. We support artists in

planning international tours and live performances to connect directly with

diverse audiences. Cross-collaborations with other artists and localization of

content help us resonate with specific regions, and we establish partnerships

with labels and distributors globally. These approaches enable our artists to

expand their reach and cultivate a strong international fan base.

Follow Obsidian:
https://www.instagram.com/obsidiancultrecords/

https://www.youtube.com/@ObsidianCultRecords

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The new Brazilian sensation, All Is Allowed, bets on the combination of modern and classic in its debut album!

Credits: Fabiano Negri (@fabianonegrisolo)

The Brazilian Modern Rockers based in São Paulo, All Is Allowed, the band that opened the successful Brazilian tour of the american's stone rockers Red Fang in May, have recently released their first album entitled "#341" on physical CD. This album consists of the combination of their two previously released official EPs - "Into The Storm" (2021) and "Just Keep Walking" (2022) - plus an unreleased and exclusive track only for the CD version called "The Watcher". "The Watcher" tells us about the owner of everything. The one who is not there in the universe, an opponent at his height, a silent being that we can see in the passage of time. The famous 'silent click of time', which one day will come for everyone. And, for this reason, we must wake up to the 'now'...", commented Frank Santos (vocals). Listen to "Into The Storm" at https://sptfy.com/allisallowed_intothestorm Listen to "Just Keep Walking" at https://sptfy.com/allisallowed_justkeepwalking Check out the strangeness of the hit "As Cold As Hell" (with a great music video), the beautiful melody in the middle of the organized chaos in "A Ghost Of Myself", or the fury, with airs of Pantera and Black Label Society, in the incredible "Sheets And Cigarettes" to prove all the power of the group. Music Video - "As Cold As Hell" - https://youtu.be/3vGA98GZ458 Directly from the city of Campinas, São Paulo, All Is Allowed masterfully shows a comprehensive sound that mixes in a modern way, all the influences based on the classic years of Rock, with their own personality that any fan of heavy music will really enjoy. In "#341", in addition to the care in the production, there is a current sound approach that easily navigates through various strands of heavy metal, hard rock, grunge and southern rock, always promoting a meeting between the old and the new. The rhythmic variations and their intricate arrangements were created in a natural and organic way so that the great hooks generated by the sticky melodies of Frank Santos (ex-Henceforth) were their flagship. And it's not only the sound mass that All Is Allowed cares about, because their lyrics are other strong points for being wrapped in a connected universe, expressing concern with the evolution of the human being. All Is Allowed is currently formed by Frank Santos (vocals), Guto Aielo (drums, ex-Orckout) and Felippe Benassi (guitar), but is looking for a bass player in parallel to the pre-production phase of their new material, which will be taken charge by renowned Brazilian musician, producer and multi-instrumentalist Fabiano Negri.

Track listing: Rock Bottom Before You Give Up The Watcher As Cold As Hell The Present Moment A Ghost Of Myself Sheets And Cigarettes Those Ones We Need To Kill Everyday To purchase the CD, contact the band by email or through their social media. For fans of: Black Sabbath, Soundgarden, Alice In Chains, Stone Temple Pilots, Creed, Alter Bridge, Pantera, Black Label Society

All Is Allowed online:

Spotify: https://sptfy.com/allisallowed
Facebook: https://www.facebook.com/allisallowedofficial
Instagram: https://www.instagram.com/all.is.allowed
Youtube: https://youtube.com/@allisallowed9389
Email: official.all.is.allowed@gmail.com

Press Agency/Source: JZ Press (@jzpressassessoria)

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Unleashing Rådarna's Sonic Journey: An Extraordinary and Comprehensive Interview with Rikard Falk

 

Rikard Falk from Rådarna interview.

Q: Can you tell us about your journey as a Folk Metal band? How did you come together and decide to pursue this genre?

A: For me it was when I heard Finntroll years back, it really started in 2017 when there was a lot going on for me personally, I wrote the chorus to House of Banshee at that time and felt it sounded so good that I should pursue this, I actually didn’t have a clue what I was doing starting out so I teamed up with Jose and we wrote Beware of Red Cap together and it really removed all doubt in my mind that we should do this. Regarding why I wanted to pursue this genre I guess as the time we started out there felt like a slight folk metal drought from the big names so yeah I guess that we just felt there need to be more such music out there. 

Q: What is your songwriting process like? How do you capture the essence of your music?

A: For most of the songs I start off with the writing then send it to Jose to complete it, after he’s done I do finishing touches and write the lyrics. We’ve written many more songs together by this point and there will be songs each of us have written entirely by each of us individually in the future. We have a liking for eachothers writing style’s which makes writing the music far more exciting because you can’t judge your own writing it becomes easier to decide what works and what doesn’t. He has told me when something won’t work and I’ve told him what needs changing. 

Ultimately I think the music itself leads the way, sometimes it has a intention behind it like the song itself is intended with a particular legend in mind other times the song tend to speak of it’s own story. I live in the forest among the mountains so I use nature as inspiration, I want to feel a strong connection to the spirit of the land like some tunes come from long forest walks getting a new melody stuck in my head. 

Q: As a Folk Metal group spread across different countries, how do you manage to collaborate and create music without being physically together?

A: It is a bit difficult, we write sheets so there’s a song there before we go in. I’m the one that oversee’s the recording and there are sometimes changes made in the recording process but you must check and double check that the improvements don’t screw the entire song in which case you’d have to redo everything else. I’ve never done shit with everyone present but I imagine it’d be way easier to hear what the instruments sound like together on the spot rather then in post. 

Q: What challenges do you face as a band that doesn't perform live shows? How do you overcome them?

A: I feel the biggest challenge is no income and more struggle of getting discovered by potential fans and listeners. Like I think most bands make the most money through live shows and the often get discovered by opening for others. I wouldn’t say we’ve overcome that but I say overall I try to not think about that, I kinda think the only things we’ve focused on at the moment is making the music sound good, I really hate the whole social media scene as well. I just want to make some awesome songs and even if the approach leaves me obscure and poor I still want to make sure I’m proud of the songs we made.To me not having a contract or financial success doesn’t make you failed musician, I’d define a failed musician as a musician without a soul.

Q: Since you don't perform live, how do you engage with your fans and connect with the audience?

A: The short answer is we don’t. Ultimately we have a very small fanbase at this point in time it seems, but that doesn’t matter. Sure more fans would be nice but if even casual listeners get a good time that’s something you should take pride and joy in.

Q: Despite the financial challenges faced you mentioned your determination to continue. What drives your passion and keeps you going?

A: I think it’s cause I genuinely live and breathe the themes of the music we’re making, it feels at home to me to do this almost like a holy mission, there’s also someone who’s spirit I like to honor and preserve in the tunes, he died the same year I started out and was a huge trigger for it starting out in the first place. He’s also a guy best not mentioned as I’ve hinted at his musical influence before.

Q: Can you share some of the influences that have shaped your sound as a Folk Metal band?

A: This is a common question and it becomes boring if I always give the same answer cause whichever music you listen to is gonna influence you if you’re a musician, it’s clearly Finntroll, Korpiklaani and Alestorm and all other household names big and small. But I’ve also been influenced by folk music, even latin music like salsa, not to mention punk rock bands like the old school ones, let’s not forget jazz either, I really like Cab Calloway he’s a favorite of mine.

Q: In what ways do you hope to contribute to the Folk Metal genre? Are there specific elements or themes you aim to explore in your music?

A: One of the biggest criticisms I’ve gotten is that we sound too much like Finntroll but personally I feel that was intentional since Finntroll mix the humppa genre of folk music with black metal, I feel they not only have their own style with that but you shouldn’t ignore the fact that they also created a sort of new subgenre. I kinda need to clarify we’d like to be different in the same way Judas Priest are different from Iron Maiden while playing the same genre. 

What is so great about Folk Metal is that it uniquely doesn’t care about being weird or even seem more focused on being fun rather then just being brutal and cool. One of the things in particular I’d really want to add is a sense of variety in the theme’s being expressed in the genre, I feel Folk Metal has gotten too caught up in singing about generic things about trolls and 99% of them just do some weird generic idea rather then exploring the creatures people actually used to believe in. We try to pick unique and specific legends that haven’t been explored, my goal is to kinda do DIO type of lyrics occasionally mixed with wit and humour. Many band who do black metal or similiar genres don’t seem to care about the lyrics at all and I think that’s a mistake since singing the wrong word at the wrong part essentially feels like you’re playing the wrong note, each word still has a different sound and the lyrics need to flow. 

We’re also going to experiment more with influences from many different genre’s which we seem to be good at, the number of instruments we’re gonna experiment with up ahead are gonna blow your mind if we manage to make them all work together.

Q: What are the particular themes or stories that inspires your lyrics? How did you incorporate them into your songs?

A: The songs incorporate the lyrics not the other way around, there are many legends, folklore and mythology that I draw inspiration from. I also try to understand each of them and their history on a deeper level I also play with the silly image pop culture has given this neglected forgotten past of ours. For example the idea of making the Red Cap run a tourist resort actually came from the movie “troll 2” there’s even a reference in the song to the sign scene as the vocalist “should have read the sign”. Really the influences for our lyrics are too numerous and complicated to tell about in a single sentence. I will admit though sometimes I keep it more simple than I did on the EP. But the goal is to make it work on 3 separate layers like a real myth would. 

Q: Can you tell us anything about your upcoming projects that we might look forward to?

A: Oh, this is my favorite question because now that we’ve finished the first album and the EP it’s time to prove our true metal. You see the album we really wanted to make was the second one as it got all the best-written songs, we have one song in particular that took an entire year to write, for comparison our regular songs took about a month or so to write, if we manage to pull this album off we hope to make it a masterpiece. It’s really large too, the 9th song is but the midway point so it’s gonna take you on a never ending ride of excitement if you like our music you’re gonna love the second album.

Again having the money to record is the only challenge right now. The second album though, I have high hopes it’ll be our “Jakten’s Tid” and the one people mention when they mention us. I’ve no idea if we’ll even be able to top this once it’s complete.

Meet more about this band:
https://radarna.bandcamp.com/album/heavenly-demons

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Death's-Head And The Space Allusion is set to release their second album - First single The Son of Shahar out now!

Promo picture by Kari Kerosalo (Instagram: @lonkerosal)   Finnish Death's-Head and the Space Allusion is set to release their second album later in 2023. The first single 'The Son of Shahar' from the upcoming album is now released and the lyric video is available here: https://youtu.be/Qsxnbe0rM1o         Guitarist Antza Talala comments: "The Son of Shahar is a heavy and mid-tempo song that felt appropriate to release as the first bite. Lyric-wise it's quite simple. The way of the world today is frankly quite hilarious, and despite all the promises the second coming of Jesus isn't showing any signs of happening, you might as well call for The Son of Dawn and probe his brain for ideas.   Truthfully, there might be an idea from human behavioural models behind the lyrics, but we let everyone reach their own conclusions."   LISTEN to The Son of Shahar single on streaming services:  https://push.fm/fl/dhatsa-shahar    BIOGRAPHY: DEATH'S-HEAD AND THE SPACE ALLUSION, a band founded in 2016 in Oulu, Finland, is a combination of melodies, metal and clean vocals. The band released their debut album 'The Counterbalance ' in 2019 and now they are ready to release their second album! A few singles from the album will be released before people can listen to the full album.   This originally named band has an interesting way of infusing their music with melodies, metal and the raging spirit of rock with its guitar solos, and all this with a progressive touch.   Familiar atmospheres and vibes from the 80's can be heard in their music as well, which come from a large quantity of keyboards in their songs.   The band has members from several known bands including To/Die/For, Burning Point, Antipope and Downstone.   DEATH'S-HEAD AND THE SPACE ALLUSION is a great, new kind of a modern sounding band where bold influences from the 80's can be heard. This excellent metal palette is brilliantly brought forward with 'The Counterbalance' debut album. The upcoming second album will continue on the same path!

Line-up: Valtteri Virolainen - vocals Antza Talala - guitars Aleksi Mäkelä - guitars Juho Rikberg - bass Jussi Ontero - drums LINKS: https://www.facebook.com/dhatsaband  https://www.instagram.com/dhatsabandofficial

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Powerfull Chilean Groove/Thrash Metal unity Sobernot reveals brand-new music video!

Credits: Maira Troncoso (@casimaria)

Once again Chilean Groove/Thrashers Sobernot surprise us by releasing the powerful and imposing ballad "Across The Toxic Dew" as the fifth music video/single from their highly praised second album "Destroy". This video portraits an intense story featuring an evil lady and her helpless prey, along with the band playing the song in an amazing location, all under the lens of prominent Chilean filmmaker Erwin Scheel.

Stream "Across The Toxic Dew" at https://sptfy.com/sobernot_across_the_toxic_dew

Watch "Across The Toxic Dew" at https://youtu.be/mZGO0BkhoFM

Guitarist Pablo La'Ronde adds: "This is the song where we wanted to expand our limits and make a heartbreaking ballad in our own style. Without a question it's the song that we enjoyed recording in the studio the most. There are 12-string guitars, piano, percussion, and many hidden details for you, so listen carefully!" "Across The Toxic Dew" adds to previous music videos releases "Servants Of The Yellow King", "Smoke Masters", "No Mercy" and "Tyrant Machine", and of course his most recent and praised album "Destroy", led them to be featured in the January 2023 issue of the legendary European magazine Metal Hammer Germany, and also to get their first nomination as 'Best Metal Artist' in the prestigious Chilean music aggregation, the Pulsar Awards. Currently, after the release of their second album "Destroy", the band continues investing heavily in the internationalization of their career, since they have enough quality to conquer the world! Sobernot is formed by César "Vaigor" Vigouroux (vocals), Pablo "Chespi" La'Ronde (guitar), Joaquín "Yakls" Quezada (bass) and Piero "Pyro" Ramírez (drums). Follow, Like and Listen to SOBERTNOT at: https://linktr.ee/sobernotband For fans of: Annihilator, Anthrax, Pantera, Testament, Metallica, Megadeth, Iced Earth MORE ABOUT SOBERNOT: Sobernot is an independent Groove/Thrash metal band from Chile. Formed in 2015, they have forged their powerful live performance with more than 100 shows, achieving an increasingly growing number of followers. Through the last years, the band has shared the stage with renowned international icons such as Exodus, Hirax, At War, Havok, Crisix, Suffocation and Incantation. "Destroy" was recorded at Estudios Gabelo and Prestafuego Studio (Chile), with the co-production of Franco Gabelo and Pablo La'Ronde, mastered at Fascination Street Studios (Sweden), by the hand of Tony Lindgren (Opeth, Kreator, Sepultura, Leprous, and more). Listen to "Destroy" on your favorite platform at https://songwhip.com/sobernot/destroy Listen to SOBERNOT at: Bandcamp: https://sobernot.bandcamp.com Apple Music: https://apple.co/3RcFGKE Spotify: https://spoti.fi/3ABqrou Social Media/Contact: Facebook: www.facebook.com/sobernot Instagram: www.instagram.com/sobernotband Youtube: www.youtube.com/SobernotBand Twitter: twitter.com/sobernot_band E-mail: contact@sobernot.net Source/Press Agency: JZ Press (@jzpressassessoria)

Credits: Maira Troncoso (@casimaria)

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