Unveiling the Dark: Post Death Soundtrack's Veil Lifter

 

Post Death Soundtrack's latest opus, Veil Lifter, emerges as a tempestuous manifesto, a ten-track Molotov cocktail igniting doom, grunge, hardcore, and thrash into a volatile new record. Departing from the orchestrated industrial landscapes of their previous endeavor, It Will Come Out of Nowhere, Jon Ireson and Stephen Moore steer sharply towards an untamed, organic live sound. This fresh approach, coined 'doom grunge', pays homage to their early inspirations – the likes of Alice in Chains, Black Sabbath, Nirvana, and The Stooges – while embracing contemporary heavyweights such as Russian Circles, Windhand, Queens of the Stone Age, and YOB. Within Veil Lifter, sludgy riffs collide with hardcore fury, hypnotic grooves entwine with empyrean ambience, crafting a singularly evocative sonic journey that beckons listeners into a realm where darkness and intensity reign supreme.

Thematically, Veil Lifter stands as a provocative, incisive, and unapologetically uncensored exploration. It serves as a fervent invocation of spiritual armament, a meditation on the omnipresence of mental illness within the collective psyche, and a bold confrontation of terrifying realities. The album's title, derived from an Eastern philosophical concept of "lifting the veil of ignorance," signifies a journey beyond the myriad masks of external forms and ideas. Shamanic visions, shadowy dreamscapes, scorched Earth, and an unyielding pursuit of solace converge to guide the protagonist through realms of introspection and transformation.

Steve Moore, reflecting on the genesis of Veil Lifter, reveals its deeply personal origins. Born amidst isolation, depression, addiction, and chaos, the album emerges as a cathartic expression of resilience and perseverance. Drawing upon heavy metaphor and dream language, Moore crafts a visceral tapestry of emotion, weaving together influences from Advaita, the Gita, Zen philosophy, and the teachings of Krishnamurti. Veil Lifter stands as a raw testament to the human spirit's capacity to endure and transcend adversity.

Dedicated to the memory of Moore's father, Ted George Moore, Veil Lifter symbolizes both homage and evolution. Jon Ireson echoes this sentiment, noting the album's departure from electronic production in favor of a raw, guitar-driven sound. Assembling the album's framework in whirlwind bursts of creativity, the duo infuses each track with a potent blend of intensity and introspection. Collaborator Casey Lewis adds further depth and dynamism, amplifying the album's visceral impact.

Veil Lifter is slated for digital release on April 16th, with a limited edition vinyl run to follow. In anticipation, fans can immerse themselves in the album's haunting lead single, "Icy Underground," and the ferocious grunge metal anthem, "Lowdown Animal," available for streaming on Spotify. Pre-orders for the full album are also available on Bandcamp, offering enthusiasts an opportunity to delve into the lyrical depths of Veil Lifter.

As Post Death Soundtrack prepares to unveil their latest offering, Veil Lifter, audiences are invited to embark on a journey through darkness and transcendence, where the boundaries between the tangible and the ethereal dissolve, and the power of music becomes a conduit for transformation.

Veil Lifter will be released on digital platforms on April16th. A limited edition vinyl run is also expected at a slightly later date.

Watch the duo's terrifying new music video for "Burrowing Down the Spine".

Stream the album's lead single, the haunting, doom-heavy "Icy Underground" on Spotify.

Stream the vicious grunge metal anthem "Lowdown Animal" on Spotify.

Pre-order the full album on Bandcamp. 

Full lyrics are also available at Bandcamp.

Veil Lifter Credits:
Stephen Moore: Vocals, Guitars, Lyrics
Jon Ireson: Bass, Additional Guitars, Production
Casey Lewis: Drums
Engineered by Jon Ireson
Drums recorded by Casey Lewis
Mixed and mastered by Casey Lewis at Echo Base Studio
Album art by mrgn_studio

More Info:
RIYL: Alice in Chains, Nirvana, Opeth, Tool, Windhand, The Stooges, Russian Circles, Mastodon, Queens of the Stone Age

Online:
Bandcamp
Spotify
Facebook
Instagram
Apple Music
Youtube
Soundcloud
Official

 

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Amazing interview with NASH, a metalcore project.

 

   

Check out this incredible interview and learn more about NASH:

What initially inspired you to create NASH and delve into the cyberpunk universe?

Since I was very young, I have been passionate about technology and music. I always had "the dream" of being able to compose absolutely everything I wanted on computers with virtual instruments. But at the time, being able to compose via computer required a lot of time, very powerful and expensive machines and there was no possibility of having guitar VSTs or the emulations were really bad, I'm talking to you about that about 20 years ago.

I have evolved through different musical styles throughout my life as a musician. I have long wanted to combine the meeting of metal with the "raw" side of synthesizers to immerse the listener in this cyberpunk universe. Typically, "Doom" is in my opinion an example that could illustrate this process.

How do you see NASH contributing to the evolution of metalcore and its fusion with technology?

I have a small partnership with SUNO. AI which is an A.I that generates music. I only use it to generate voice that I incorporate around my composition, in this sense, I participate in the evolution of tomorrow's music. I think that the Japanese were the precursors with holographic virtual artists like in visual kei and tomorrow, with the expansion of AI like SUNO, we will see the emergence of them as if they were beings made of flesh and of blood !

I don't know if I'll one day take off in the metalcore scene but in any case I try to bring something different and original.

Can you elaborate on how you integrate synthetic elements from underground scenes into your music, and what influences these elements draw from?

The most complicated thing is actually adding synthesizer elements, you have to feel "the vibe" that emerges from the song to add the synths which will blend perfectly with the song. It takes a lot of time and I feel a bit like a chemist in a laboratory, I combine several elements until I find the right one. The dark electro scene/aggrotech demonstrates through its artists that there is no shortage of ideas, they inspire me a lot.

Also, I always immerse myself in a cyberpunk universe, fan of the Directors : Denis Villeneuve and Ridley Scott, I easily immerse myself in this world of images to project my creations, my search for inspiration. I would even add image AI also becomes a resource to exploit, you may have noticed but all my single covers in my project were generated by an AI.

What challenges have you faced in blending virtual instruments with the human voice, and how have you overcome them?

It's not in terms of VSTIs that I encountered challenges, it's more in the mixing of drum and guitar. On the one hand because I'm a total neophyte in this area, I tried as hard as I could to make it sound like a big sound. On the other hand, having an emulated guitar requires having a complete "signal chain" for it to sound: amp, eq etc.... And there it's the same, basic keyboard player I don't know anything about it at all so just like the search for synth sounds, I tried for months to make both sounds correctly. I'm really proud of the result, of course for purists it's far from perfect, but I tell myself that for a solo guy who doesn't know anything about it: the result is honest.

For the voice, it took me more than 4 years to find a singer who held up. I mean, finding singers isn't the hardest thing. It's finding serious people on a human level that caused me the most concern: you can't imagine how hard is… you can find singers who tell you "I love your music, I want to do a feat on it !” and then... you compose something for them, ask some news and suddenly becomes an embarrassing radio silence. I'm going to sound a little harsh, but I find that singers today are really starlets who want everything without making the slightest effort upstream, or on longevity.

But I believe that complacency and laziness is a more general problem in our societies. During these 4 years, I wasted a lot of time with one in particular who brought me more trouble than added value to my compositions, this guy is the perfect stereotype of personal sufficiency, a sort of "golem dreamers" as we say in French. But allowed me to open my eyes to what I really wanted and what I no longer wanted.

This is also why I launched my solo project, I had a few groups before but often complacency, immaturity, hypocrisy take precedence over the desire to really share a group of musicians. I think that for many musicians who find themselves faced with this type of problem, artificial intelligence will solve this...

Which specific aspects of renowned bands like Bad Omens, Bring Me the Horizon, Erra, Make Them Suffer, and I See Stars have influenced NASH's sound the most?

Creativity. What makes a band famous? In my opinion: originality, creation and a voice that stands out from the ordinary. Singing is one thing, performing is another.

For me, these groups are creators who think outside the box to offer listeners a world of sound far from a standard group of which there are plenty.

Could you shed some light on the process of generating lyrics using a personalized language model and how these lyrics contribute to the thematic depth of NASH's music?

You can find a bunch of royalty-free AI models on “huggingface”. I'm not going to tell you which one I have, it's my little secret but in any case we're going through an incredible period within reach: you can nab an AI that generates text like another that generates sound or even tell you if you have cancer!

Not being a good lyricist at all, having an AI capable of producing lyrics was a small challenge and a way to extend my project on a technical level.

My current singer also does a lot of production work. I mean, he doesn't change any lines at all, he adapts them to his melodies/rhythms.

In what ways do the themes of humanity and technology interact within NASH's music, and what messages do you hope listeners take away from these explorations?

I try to project all the current and future problems of our societies in my compositions. I don't forbid myself any themes! But one of the “biggest” ones is the future of machines. People today do not realize how much everything will change in the coming years. They think it will happen in 20 years or 30 years... but the change is happening now. Machines, whether AI or automatons, are progressing at lightning speeds and little by little, they are replacing humans.

Laurent ALEXANDRE talks about it very well in these books and he tries to awaken the consciences of people but also of politicians. Look, a few days ago NEURALINK announced that it had chipped a human and did you see it? He can play, move a certain number of elements on his PC.

So if tomorrow we do not train the new generations, if we do not carry out transformations in the training and ability of people to adapt to AI, we will have a "mass" stupidized by advertising and consumerism incapable of mastering the AI tool. We could talk about it for a long time but the Cyberpunk universe that you can find in Blade Runner or Ghost in the Shell is, in my opinion, what awaits us tomorrow more than a world that would like to balance in the name of pseudo fairness.

What kind of experience do you aim to create for your audience during live performances, considering the immersive nature of NASH's music?

So that... I have lots of ideas, but I need money, ha ha! I have in mind to do live shows but before I can think about the show, I will already try to find Humans in symbiosis (:

Can you describe the significance of the blurred boundaries between the real and the virtual in NASH's musical universe, and how this concept influences your creative process?

As I told you, I don't believe this world is utopian. It's just an anticipation of the world of tomorrow. And all these issues nourish my creativity. My job is computer engineering and access to the digital world is partly a source of influence: it remains atoms which activate according to the binary orders that we send and yet it produces sound waves which, when combined, become music.

The synths are incredibly powerful in my ears, all these sounds transport me, create a soundscape, this is how the ideas start to come!

Looking ahead, what future developments or collaborations do you envision for NASH, both musically and conceptually, as you continue to explore the intersection of music and technology?

I remain open to all suggestions. I've been doing a bit of promotion recently, and I have a small label that wants a lineup, so I'll start with that. For the rest, as indicated on my insta: if singers are interested in doing a collab, I am definitely willing!

I will also continue my project with SUNO and I will see. I don't worry, I do things according to my desires and the opportunities that open up to me. I love music, I love writing and that’s all that matters. My deepest desire with NASH is to share this with people who are sensitive to this style. Afterward, whether it doesn't work or not in the end, I don't care as long as I enjoy doing this in my studio.

If you discover my project, if you liked it: spread the word and share my linktree: https://nash.ws

Thank you for this interview: "The World is built in a wall that separates kind. Tell either side there's no wall, you've bought a war"

Is this so far from what we are experiencing?

Nash

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From Local Talent to Global Success: Unraveling the Phenomenal Journey of Obsidian Cult Records in the Music Industry - Exclusive Interview!

 

1. How did Obsidian Cult Records come into existence, and

what inspired you to start this independent A&R Label?

Obsidian Cult Records was established to provide artists with the tools and resources

they need to be successful. After experiencing the cutthroat nature of the music

industry with my previous band, I wanted to create an anti-label that supports

musicians without upfront costs or taking away their rights. Our mission is to empower

talented artists, offer exclusive access to resources, and help them build sustainable

music careers.

2. Can you tell us more about the personalized artist

development programs that Obsidian Cult Records offers to

musicians?

Certainly! Obsidian Cult Records offers personalized artist development programs that

focus on understanding each musician's unique strengths and goals. We provide

guidance in songwriting, composition, vocal/instrumental coaching, production

assistance, and branding strategies. Access to industry professionals and support in

various areas of the music business is also included. Our aim is to empower artists to

build sustainable careers, explore multiple revenue streams, and maintain their artistic

integrity and vision.

3. How does Obsidian Cult Records strategically contract

with artists to help them expand their reach and grow their

careers?

At Obsidian Cult Records, our strategic contracting with artists is based on a

collaborative and artist-centric approach. We prioritize the artists' interests and

creative freedom while ensuring they have access to the resources they need to

expand their reach and grow their careers. Our contracts are designed to be fair and

transparent, ensuring that artists retain ownership of their music and creative rights.

We work closely with each artist to develop personalized strategies that align with

their goals, whether it's through targeted marketing campaigns, exposure to new

audiences, or exploring various revenue streams. By providing exclusive access to

industry professionals and valuable tools, we aim to foster their growth and success in

the music industry while maintaining a mutually beneficial partnership.

4. San Antonio, Texas, is known for its rich music culture.

How has the local music scene influenced Obsidian Cult

Records' approach and mission?

San Antonio's vibrant music culture has had a profound impact on Obsidian Cult

Records' approach and mission. Being situated in such a music-rich city, we have been

exposed to a diverse range of talented artists and musicians, each with their unique

stories and journeys. The local music scene has reinforced our belief in the power of

music and the importance of supporting artists in their pursuit of a successful career.

Witnessing the challenges and triumphs of local musicians has further fueled our

commitment to being the anti-label, providing a platform that empowers artists to

thrive without the typical barriers of the industry. Our experiences in San Antonio have

strengthened our resolve to nurture artists' growth, offer valuable resources, and

ensure that they have the support they need to turn their passion for music into a

sustainable living.

5. In what ways does Obsidian Cult Records foster a

collaborative and supportive community for artists? Can you

share some examples of how this has benefited musicians

on your label?

Obsidian Cult Records fosters a collaborative and supportive community for artists in

several ways. Firstly, we prioritize open communication and a strong partnership with

our signed artists. We actively involve them in decision-making processes and seek

their input on various aspects of their music careers. This collaborative approach

ensures that their artistic vision is honored and respected.

Secondly, we encourage artists on our label to connect with one another, share

experiences, and collaborate on projects. This sense of camaraderie among our artists

creates a supportive community where they can learn from each other and find

inspiration.

Furthermore, we organize events, workshops, and networking opportunities to bring

artists together with industry professionals. This not only enhances their skills but

also helps them build valuable connections within the music industry.

One example of how this collaborative and supportive community has benefited

musicians on our label is the formation of bands through artist connections within the

label. Some of our artists have come together to create new bands and explore

different musical genres, leading to exciting and innovative collaborations that might

not have happened without the supportive environment Obsidian Cult Records

provides.

Additionally, we've witnessed instances where more experienced artists have

mentored and guided emerging talents, helping them navigate the challenges of the

industry and refine their craft. This mentorship has proven invaluable in supporting the

growth and development of our artists.

Overall, by fostering a collaborative and supportive community, Obsidian Cult Records

creates an environment where artists can flourish, learn from one another, and

collectively work towards building successful and sustainable music careers.

6. As the owner of Obsidian Cult Records, what do you

consider the most significant achievements or milestones for

the label so far?

As the owner of Obsidian Cult Records, one of the most significant achievements for

the label has been the recent signing of Counterfeit Icons in San Antonio. We are

thrilled to have them as part of our roster and to be supporting their musical journey.

An important milestone in our collaboration with them has been fully automating their

merchandise sales, allowing them to start generating revenue from their music. This

achievement exemplifies our commitment to empowering artists to make a living from

their passion without the burdens of massive upfront costs or complicated industry

barriers. We see this as a step forward in our mission to provide artists with the tools

and resources they need to succeed in the music industry.

7. Turning passion for music into a thriving career is a

challenging process. How does Obsidian Cult Records guide

and support artists through this journey?

At Obsidian Cult Records, we guide and support artists in their journey of turning

their passion for music into a thriving career through a personalized and

comprehensive approach. We provide exclusive access to resources, including

industry professionals, production studios, marketing expertise, and other

essential tools to create high-quality music and effectively promote their work.

Our collaborative relationship with artists involves open communication, where

we value their creative vision and involve them in decision-making processes.

We work closely with our signed artists to develop tailored strategies that align

with their unique strengths and goals. From artist development, including

songwriting, composition, and branding, to exploring multiple revenue streams

like merchandise sales, live performances, and licensing opportunities, we

ensure they have the support and guidance they need to succeed. Moreover, we

encourage artists to connect with one another, fostering a supportive community

that encourages collaboration and inspires growth. Our ultimate mission is to

empower artists at every stage of their music career, providing the necessary

tools, resources, and a nurturing environment to help them build sustainable

long-lasting careers.

8. Building a global audience for bands requires effective

strategies. Could you elaborate on some of the key

approaches Obsidian Cult Records employs to help artists

reach an international fan base?

Certainly! Obsidian Cult Records employs effective strategies to help artists

reach a global audience. We focus on building a strong online presence through

digital marketing and social media, reaching new fans worldwide. International

distribution and licensing opportunities are pursued to ensure their music is

available on major platforms and featured in various media. We support artists in

planning international tours and live performances to connect directly with

diverse audiences. Cross-collaborations with other artists and localization of

content help us resonate with specific regions, and we establish partnerships

with labels and distributors globally. These approaches enable our artists to

expand their reach and cultivate a strong international fan base.

Follow Obsidian:
https://www.instagram.com/obsidiancultrecords/

https://www.youtube.com/@ObsidianCultRecords

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Do you know LCTR? Get to know more about them in this adorable interview.

 

1. How did LCTR come together as a band, and what inspired the members to focus on delivering a purist, heavy hardcore sound?
Tim (Guitars ): No one wanted to see our weird melodic metal band so back to basics we went. Travis is also in need of a drummer for his band that is better than us.
Travis (Vocals): To quote the band God’s Hate “Life is hard, Be Harder”. As Tim stated, my previous band went on hiatus, so they approached me about doing something on the side.

2. Can you tell us more about the origin of the band's name "LCTR" and its significance or meaning?
Tim:LCTR or lactator or locationer is a term derived in the northern dialect of Antarctica and the chosen language of the original habitants.
Travis: a lot of the history of Antarctica has been hidden, they dont want you to know about the original habitants. They even left pyramids behind.

3. Given the experienced backgrounds of the band members from various local bands, how has this collective experience influenced LCTR's musical approach and style?
Tim: I played my first show last month.
Travis: we just play what we think will make someone grab a chair and smash their friend over the head with it.

4. The debut EP, "Goodness Won't Save You From The Fire," has received positive reviews with an overall rating of 8 out of 10. How does the band feel about this response, and what are their thoughts on the EP's impact in the hardcore scene?

Tim: 6 points higher than anything else we've ever done. It is very much appreciated but doesn't help keep me in the dark place.
Travis: its awesome that people like it, but at the end of the day, music is what keeps me from killing myself, so ill keep playing whether people dig it or not.

5. What were the main influences behind the three original tracks on the debut EP? Are there any particular themes or messages the band wanted to convey through their music and lyrics?

Tim: The year 2009, and just trying to be as heavy as collective soul. Maybe one day.
Travis: i really thought we were trying to be as heavy as smash mouth at first. The only message is that life sucks and then you die.

6. Richmond, Virginia, has a notable hardcore scene. How has the local scene influenced LCTR's music and their journey as a band?
Tim: Everyone in Richmond would rather I just give up and sell insurance or something.
Travis: im pretty sure Tim would make a great State Farm agent. We’ve been received rather well with the two shows we’ve played.

7. With members coming from different local bands, how did LCTR manage to find a cohesive musical direction while maintaining their distinctive sound?
Tim: Got the idea to jam some older simpler tunes with our buddy who was having band difficulties. Fun ensued.
Travis: we prayed to the dark lord Cthulhu for guidance and under his blessed gaze, we found our inspiration.

8. "Goodness Won't Save You From The Fire" is described as having a raw character. Can the band elaborate on the creative process behind the EP and how they captured this raw essence in their music?
Tim: We pretty much just one take'd everything and was like yea good enough.
Travis: as Tim said, everyone was a fairly easy process. Too many bands now a days want to sound like robots. We are human beings playing these songs so sometimes those slight imperfections make something magical.

9. LCTR has already left a strong impression with their debut EP. What can fans expect from the band in the future, and are there any upcoming projects or releases in the works?
Travis: rest assured, we have more songs in the works. We will record a follow up EP in the near future and we can ensure you expect more of the same

Tim: Someone said something about selling insurance?

10. In the hardcore genre, connecting with fans and delivering powerful live performances is essential. How does LCTR approach their live shows, and what do they hope audiences take away from their performances?
Tim: I just close my eyes and go spin mode. Sometimes I try not to fall down.
Travis: we crave blood and violence and the flesh of the living.

Know more about them:

https://www.facebook.com/profile.php?id=100091667394174

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The new Brazilian sensation, All Is Allowed, bets on the combination of modern and classic in its debut album!

Credits: Fabiano Negri (@fabianonegrisolo)

The Brazilian Modern Rockers based in São Paulo, All Is Allowed, the band that opened the successful Brazilian tour of the american's stone rockers Red Fang in May, have recently released their first album entitled "#341" on physical CD. This album consists of the combination of their two previously released official EPs - "Into The Storm" (2021) and "Just Keep Walking" (2022) - plus an unreleased and exclusive track only for the CD version called "The Watcher". "The Watcher" tells us about the owner of everything. The one who is not there in the universe, an opponent at his height, a silent being that we can see in the passage of time. The famous 'silent click of time', which one day will come for everyone. And, for this reason, we must wake up to the 'now'...", commented Frank Santos (vocals). Listen to "Into The Storm" at https://sptfy.com/allisallowed_intothestorm Listen to "Just Keep Walking" at https://sptfy.com/allisallowed_justkeepwalking Check out the strangeness of the hit "As Cold As Hell" (with a great music video), the beautiful melody in the middle of the organized chaos in "A Ghost Of Myself", or the fury, with airs of Pantera and Black Label Society, in the incredible "Sheets And Cigarettes" to prove all the power of the group. Music Video - "As Cold As Hell" - https://youtu.be/3vGA98GZ458 Directly from the city of Campinas, São Paulo, All Is Allowed masterfully shows a comprehensive sound that mixes in a modern way, all the influences based on the classic years of Rock, with their own personality that any fan of heavy music will really enjoy. In "#341", in addition to the care in the production, there is a current sound approach that easily navigates through various strands of heavy metal, hard rock, grunge and southern rock, always promoting a meeting between the old and the new. The rhythmic variations and their intricate arrangements were created in a natural and organic way so that the great hooks generated by the sticky melodies of Frank Santos (ex-Henceforth) were their flagship. And it's not only the sound mass that All Is Allowed cares about, because their lyrics are other strong points for being wrapped in a connected universe, expressing concern with the evolution of the human being. All Is Allowed is currently formed by Frank Santos (vocals), Guto Aielo (drums, ex-Orckout) and Felippe Benassi (guitar), but is looking for a bass player in parallel to the pre-production phase of their new material, which will be taken charge by renowned Brazilian musician, producer and multi-instrumentalist Fabiano Negri.

Track listing: Rock Bottom Before You Give Up The Watcher As Cold As Hell The Present Moment A Ghost Of Myself Sheets And Cigarettes Those Ones We Need To Kill Everyday To purchase the CD, contact the band by email or through their social media. For fans of: Black Sabbath, Soundgarden, Alice In Chains, Stone Temple Pilots, Creed, Alter Bridge, Pantera, Black Label Society

All Is Allowed online:

Spotify: https://sptfy.com/allisallowed
Facebook: https://www.facebook.com/allisallowedofficial
Instagram: https://www.instagram.com/all.is.allowed
Youtube: https://youtube.com/@allisallowed9389
Email: official.all.is.allowed@gmail.com

Press Agency/Source: JZ Press (@jzpressassessoria)

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Death's-Head And The Space Allusion is set to release their second album - First single The Son of Shahar out now!

Promo picture by Kari Kerosalo (Instagram: @lonkerosal)   Finnish Death's-Head and the Space Allusion is set to release their second album later in 2023. The first single 'The Son of Shahar' from the upcoming album is now released and the lyric video is available here: https://youtu.be/Qsxnbe0rM1o         Guitarist Antza Talala comments: "The Son of Shahar is a heavy and mid-tempo song that felt appropriate to release as the first bite. Lyric-wise it's quite simple. The way of the world today is frankly quite hilarious, and despite all the promises the second coming of Jesus isn't showing any signs of happening, you might as well call for The Son of Dawn and probe his brain for ideas.   Truthfully, there might be an idea from human behavioural models behind the lyrics, but we let everyone reach their own conclusions."   LISTEN to The Son of Shahar single on streaming services:  https://push.fm/fl/dhatsa-shahar    BIOGRAPHY: DEATH'S-HEAD AND THE SPACE ALLUSION, a band founded in 2016 in Oulu, Finland, is a combination of melodies, metal and clean vocals. The band released their debut album 'The Counterbalance ' in 2019 and now they are ready to release their second album! A few singles from the album will be released before people can listen to the full album.   This originally named band has an interesting way of infusing their music with melodies, metal and the raging spirit of rock with its guitar solos, and all this with a progressive touch.   Familiar atmospheres and vibes from the 80's can be heard in their music as well, which come from a large quantity of keyboards in their songs.   The band has members from several known bands including To/Die/For, Burning Point, Antipope and Downstone.   DEATH'S-HEAD AND THE SPACE ALLUSION is a great, new kind of a modern sounding band where bold influences from the 80's can be heard. This excellent metal palette is brilliantly brought forward with 'The Counterbalance' debut album. The upcoming second album will continue on the same path!

Line-up: Valtteri Virolainen - vocals Antza Talala - guitars Aleksi Mäkelä - guitars Juho Rikberg - bass Jussi Ontero - drums LINKS: https://www.facebook.com/dhatsaband  https://www.instagram.com/dhatsabandofficial

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Powerfull Chilean Groove/Thrash Metal unity Sobernot reveals brand-new music video!

Credits: Maira Troncoso (@casimaria)

Once again Chilean Groove/Thrashers Sobernot surprise us by releasing the powerful and imposing ballad "Across The Toxic Dew" as the fifth music video/single from their highly praised second album "Destroy". This video portraits an intense story featuring an evil lady and her helpless prey, along with the band playing the song in an amazing location, all under the lens of prominent Chilean filmmaker Erwin Scheel.

Stream "Across The Toxic Dew" at https://sptfy.com/sobernot_across_the_toxic_dew

Watch "Across The Toxic Dew" at https://youtu.be/mZGO0BkhoFM

Guitarist Pablo La'Ronde adds: "This is the song where we wanted to expand our limits and make a heartbreaking ballad in our own style. Without a question it's the song that we enjoyed recording in the studio the most. There are 12-string guitars, piano, percussion, and many hidden details for you, so listen carefully!" "Across The Toxic Dew" adds to previous music videos releases "Servants Of The Yellow King", "Smoke Masters", "No Mercy" and "Tyrant Machine", and of course his most recent and praised album "Destroy", led them to be featured in the January 2023 issue of the legendary European magazine Metal Hammer Germany, and also to get their first nomination as 'Best Metal Artist' in the prestigious Chilean music aggregation, the Pulsar Awards. Currently, after the release of their second album "Destroy", the band continues investing heavily in the internationalization of their career, since they have enough quality to conquer the world! Sobernot is formed by César "Vaigor" Vigouroux (vocals), Pablo "Chespi" La'Ronde (guitar), Joaquín "Yakls" Quezada (bass) and Piero "Pyro" Ramírez (drums). Follow, Like and Listen to SOBERTNOT at: https://linktr.ee/sobernotband For fans of: Annihilator, Anthrax, Pantera, Testament, Metallica, Megadeth, Iced Earth MORE ABOUT SOBERNOT: Sobernot is an independent Groove/Thrash metal band from Chile. Formed in 2015, they have forged their powerful live performance with more than 100 shows, achieving an increasingly growing number of followers. Through the last years, the band has shared the stage with renowned international icons such as Exodus, Hirax, At War, Havok, Crisix, Suffocation and Incantation. "Destroy" was recorded at Estudios Gabelo and Prestafuego Studio (Chile), with the co-production of Franco Gabelo and Pablo La'Ronde, mastered at Fascination Street Studios (Sweden), by the hand of Tony Lindgren (Opeth, Kreator, Sepultura, Leprous, and more). Listen to "Destroy" on your favorite platform at https://songwhip.com/sobernot/destroy Listen to SOBERNOT at: Bandcamp: https://sobernot.bandcamp.com Apple Music: https://apple.co/3RcFGKE Spotify: https://spoti.fi/3ABqrou Social Media/Contact: Facebook: www.facebook.com/sobernot Instagram: www.instagram.com/sobernotband Youtube: www.youtube.com/SobernotBand Twitter: twitter.com/sobernot_band E-mail: contact@sobernot.net Source/Press Agency: JZ Press (@jzpressassessoria)

Credits: Maira Troncoso (@casimaria)

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